Exilios impropios y peregrinación profana: Juan José Saer y Witold Gombrowicz

Carolina Maranguello
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Abstract

After having moved to France in 1968 and having written a large part of his work abroad, Juan José Saer begins to periodically return to Argentina from the eighties, and writes a series of texts on the subject of return and of exile in which he alludes to the figure of Witold Gombrowicz. In this work we will investigate the links, correspondences and differences between the two writers. As we will see, Saer places Gombrowicz in two series of travelers and intellectuals. On the one hand, an anachronistic and timeless series that connects him with travelers from dissimilar times and which highlights his unique perception of the national landscape; on the other, a historical series that returns the Polish writer to the literary rivalries of his time (Borges, Caillois and the Sur group). Each of these inscriptions opens a suggestive contemporaneity between the poetics and the improper exiles of Saer and Gombrowicz. The latter's “outside perspective” will allow Saer to radicalize an exiled and eccentric writer figure capable of resisting both the “infallible” values of Europe and the duties of national identification; and also configure disruptive ways of perceiving the zona’s landscape on his returns to the country.
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不当流放和亵渎朝圣:胡安·何塞·赛尔和维托尔德·贡布罗维奇
胡安·何塞·萨尔于1968年移居法国,并在国外撰写了大部分作品后,从80年代开始定期返回阿根廷,并撰写了一系列关于返回和流亡的文本,其中他提到了威托尔德·贡布罗维奇的形象。在这部作品中,我们将探讨两位作家之间的联系、对应和差异。正如我们将看到的那样,萨尔将贡布罗维奇分为两个系列的旅行者和知识分子。一方面,这是一个不合时宜、永恒的系列,将他与不同时代的旅行者联系在一起,突出了他对国家景观的独特感知;另一方面,一个历史系列,使波兰作家回到了他那个时代的文学竞争中(博尔赫斯、Caillois和苏尔集团)。这些铭文中的每一个都开启了诗学与萨尔和贡布罗维奇不当流亡者之间的一种暗示性的当代性。后者的“外部视角”将使萨尔激进化为一个流亡且古怪的作家形象,他能够抵制欧洲“绝对正确”的价值观和国家认同的义务;以及在他返回该国时配置颠覆性的方式来感知地带的景观。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
23
审稿时长
31 weeks
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