Live and digital engagement with the visual arts.

IF 1.9 2区 经济学 Q2 ECONOMICS Journal of Cultural Economics Pub Date : 2022-12-26 DOI:10.1007/s10824-022-09466-3
Victoria Ateca-Amestoy, Concetta Castiglione
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Abstract

The cluster of innovations brought about by information and communication technology (ICT) is dramatically changing the ways in which the visual arts can be produced and consumed. By using the USA 2012 Survey of Public Participation in the Arts, we explore visual arts consumption through both onsite attendance at museums and electronic and digital media. To disentangle the complexity of the relationship of different forms of museums attendance, both a multinomial logit and a recursive bivariate probit model are estimated to obtain direct and indirect effects of the alternative forms of participation. Results demonstrate that there are no age consumer differences in the form they consume visual arts. Noticeable differences concern race, gender, families with children attending arts school, and type of occupation. In addition, results show that there is a trade-off between online and onsite visits. Visiting museums and art galleries have a positive correlation with the digital access to visual arts, both through handheld and mobile devices and via the internet, whilst the same correlation is not found for internet access on museum attendance. This means that for many consumers, online attendance is the only way to overcome time constraints and other costs involved in an onsite visit.

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与视觉艺术的现场和数字互动
信息和通信技术(ICT)带来的一系列创新正在极大地改变视觉艺术的生产和消费方式。通过美国 2012 年公众参与艺术调查,我们探讨了通过现场参观博物馆以及电子和数字媒体消费视觉艺术的情况。为了厘清不同形式的博物馆参观之间的复杂关系,我们估算了多项式对数模型和递归二元概率模型,以获得其他参与形式的直接和间接影响。结果表明,消费者在视觉艺术消费形式上没有年龄差异。明显的差异涉及种族、性别、有子女就读艺术学校的家庭和职业类型。此外,结果表明,在线参观和现场参观之间存在权衡。参观博物馆和艺术馆与通过手持设备、移动设备和互联网以数字方式接触视觉艺术有正相关关系,而通过互联网接触博物馆与参观博物馆则没有同样的关系。这意味着,对许多消费者来说,在线参观是克服时间限制和其他现场参观成本的唯一途径。
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来源期刊
CiteScore
5.20
自引率
18.50%
发文量
26
期刊介绍: Cultural economics is the application of economic analysis to all of the creative and performing arts, the heritage and cultural industries, whether publicly or privately owned. It is concerned with the economic organization of the cultural sector and with the behavior of producers, consumers and governments in that sector. The subject includes a range of approaches, mainstream and radical, neoclassical, welfare economics, public policy and institutional economics. The editors and editorial board of the Journal of Cultural Economics seek to attract the attention of the economics profession to this branch of economics, as well as those in related disciplines and arts practitioners with an interest in economic issues. The Journal of Cultural Economics publishes original papers that deal with the theoretical development of cultural economics as a subject, the application of economic analysis and econometrics to the field of culture, and with the economic aspects of cultural policy. Besides full-length papers, short papers and book reviews are also published.Officially cited as: J Cult Econ
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