In the Centre of the Cosmos: Sacred Spacetime in Niyi Osundare’s ‘A Song for Olosunta’

IF 0.3 4区 文学 0 LITERATURE ENGLISH STUDIES IN AFRICA Pub Date : 2022-07-03 DOI:10.1080/00138398.2022.2096753
Chukwunwike Anolue
{"title":"In the Centre of the Cosmos: Sacred Spacetime in Niyi Osundare’s ‘A Song for Olosunta’","authors":"Chukwunwike Anolue","doi":"10.1080/00138398.2022.2096753","DOIUrl":null,"url":null,"abstract":"Abstract Time and nature are two intertwined concepts. They are so inseparable that there is a temporal index to every spatial event and vice versa. Nothing happens in a space except at a time; neither does anything happen at a time except in a space. For the Nigerian poet, Niyi Osundare, time and space occupy a prominent place in his oeuvre, but critics tend to privilege one and ignore the other in their analyses of his poetry. Osundare also frequently poetizes animist deities of Ikere-Ekiti, the town in Southwest Nigeria where he was born and raised. He uses his poetry as a medium to worship the deities. This paper is a study of time and nature in relation to an animist god of Ikere-Ekiti. It fuses ecocriticism and temporal analysis to shed light on ‘A Song for Olosunta,’ a panegyric which evokes an annual festival in honour of Olosunta, a lithic god worshipped by Osundare and his fellow Ikere-Ekiti animists. Against the background of the annual festival inscribed in the poem, I examine the god as an ecological and temporal icon, highlighting the differences between his shrine and its surroundings; and between his timescape and the timescape outside the shrine.","PeriodicalId":42538,"journal":{"name":"ENGLISH STUDIES IN AFRICA","volume":"65 1","pages":"35 - 43"},"PeriodicalIF":0.3000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ENGLISH STUDIES IN AFRICA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00138398.2022.2096753","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0

Abstract

Abstract Time and nature are two intertwined concepts. They are so inseparable that there is a temporal index to every spatial event and vice versa. Nothing happens in a space except at a time; neither does anything happen at a time except in a space. For the Nigerian poet, Niyi Osundare, time and space occupy a prominent place in his oeuvre, but critics tend to privilege one and ignore the other in their analyses of his poetry. Osundare also frequently poetizes animist deities of Ikere-Ekiti, the town in Southwest Nigeria where he was born and raised. He uses his poetry as a medium to worship the deities. This paper is a study of time and nature in relation to an animist god of Ikere-Ekiti. It fuses ecocriticism and temporal analysis to shed light on ‘A Song for Olosunta,’ a panegyric which evokes an annual festival in honour of Olosunta, a lithic god worshipped by Osundare and his fellow Ikere-Ekiti animists. Against the background of the annual festival inscribed in the poem, I examine the god as an ecological and temporal icon, highlighting the differences between his shrine and its surroundings; and between his timescape and the timescape outside the shrine.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
在宇宙的中心:Niyi Osundare的《A Song for Olosunta》中的神圣时空
时间和自然是两个相互交织的概念。它们是如此不可分割,以至于每个空间事件都有一个时间索引,反之亦然。在一个空间里,除了某个时间,什么都不会发生;除了在一个空间里,任何事情都不会在一个时间发生。对于尼日利亚诗人尼伊·奥森达雷来说,时间和空间在他的作品中占据着突出的位置,但评论家在分析他的诗歌时往往会优先考虑其中一个,而忽略另一个。Osundare还经常将他出生和长大的尼日利亚西南部小镇Ikere Ekiti的万物有灵论神灵诗意化。他用诗歌作为崇拜神灵的媒介。本文研究了时间和自然与一位万物有灵论的伊凯雷·埃基提神的关系。它融合了生态批评和时间分析,为《献给奥洛桑塔的歌》(A Song for Olosunta)提供了线索,这首歌是一首赞美诗,唤起了一年一度的节日,以纪念奥伦代尔和他的Ikere Ekiti万物有灵论者所崇拜的石器时代的神奥洛桑塔。在诗中所刻的一年一度的节日背景下,我将神视为一个生态和时间的象征,强调了他的神殿与其周围环境之间的差异;以及在他的时代景观和神殿外的时代景观之间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.60
自引率
0.00%
发文量
26
期刊最新文献
Introduction: Moving Publicly, Writing Mobility: Public Transport in African Literatures The Sea and Underwater Transport in Imraan Coovadia’s The Institute for Taxi Poetry Racialized Railway Mobilities: Repression and Resistance in the Anglophone South African Short Story During the Drum Decade Hydropolitical Textualities Transportation and Agon in Chinua Achebe’s No Longer at Ease and Anthills of the Savannah
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1