Listening Geopolitics and the Anthropocene Contact zones of the Bali and Georgia Strait

IF 0.2 4区 艺术学 Q2 Arts and Humanities LEONARDO MUSIC JOURNAL Pub Date : 2020-09-14 DOI:10.1162/lmj_a_01103
Freya Zinovieff, Gabriela Aceves Sepúlveda
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引用次数: 1

Abstract

Abstract Building on Pratt and Haraway's ideas of the contact zone, we examine the soundscape in two maritime boundaries: the Bali Strait and the Strait of Georgia. Both places, imbued with colonial histories, are rich in ecological diversity and signify different degrees of violence perpetuated against those who attempt to cross their geopolitical boundary zones. Using practices taken from sensory, multispecies, sonic and autoethnography, we explore how sound and listening offer a textural analysis of space, a way to sense and experience histories and the possibility of listening as activism.
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聆听地缘政治与巴厘海峡和乔治亚海峡的人类世接触带
摘要在Pratt和Haraway关于接触区的想法的基础上,我们研究了两个海洋边界的声景:巴厘海峡和格鲁吉亚海峡。这两个地方都充满了殖民历史,生态多样性丰富,意味着对那些试图跨越其地缘政治边界区的人的暴力程度不同。利用感官、多物种、声音和民族志的实践,我们探索声音和听力如何提供对空间的文本分析,一种感知和体验历史的方式,以及听力作为行动主义的可能性。
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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