Nathalie Kraemer's Rising Voice

R. Perry
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Abstract

Abstract:Over seventy-five years since the Holocaust, scholarship has still not adequately studied the countless persecuted and murdered Jewish artists who worked in France before the war. Most have eluded close critical or academic attention. This article discusses one Jewish woman artist working in Paris. Her name was Nathalie Kraemer, and until now there have been few details known about her life other than that she was born in Paris in 1891, wrote poetry, and died in Auschwitz in 1943. Kraemer was "discovered" and pulled from obscurity by a private collector named Oscar Ghez, who purchased her paintings in 1973, but they have remained, for the most part, out of public view. Her story highlights how incomplete mainstream accounts of modernism are and how badly the canon of "Holocaust art" needs to be expanded. Based on new research in the archives, this richly illustrated article fleshes out her life and career.
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Nathalie Kraemer的崛起之声
摘要:大屠杀已经过去75年了,学术界仍然没有充分研究战前在法国工作的无数受迫害和谋杀的犹太艺术家。大多数都没有受到批评界或学术界的密切关注。这篇文章讨论了一位在巴黎工作的犹太女艺术家。她的名字叫娜塔莉·克雷默(Nathalie Kraemer),直到现在,人们对她的生活知之甚少,只知道她1891年出生于巴黎,写诗,1943年死于奥斯维辛。1973年,一位名叫奥斯卡·盖兹(Oscar Ghez)的私人收藏家“发现”了克雷默,并将她从默默无闻中拉了出来。盖兹购买了克雷默的画作,但这些画作的大部分仍处于公众视野之外。她的故事突显了主流对现代主义的描述是多么不完整,以及“大屠杀艺术”的经典是多么迫切地需要扩大。根据对档案的最新研究,这篇插图丰富的文章充实了她的生活和事业。
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