The Ghost of Grandeur

IF 0.5 4区 艺术学 0 ARCHITECTURE Home Cultures Pub Date : 2017-01-02 DOI:10.1080/17406315.2017.1319531
Carsten Meiner
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引用次数: 3

Abstract

Abstract Carsten Meiner analyses a series of classic French films, from Truffaut to Haneke, and their uses of the home with respect to the relation between grandeur and individuality. Homes thus become problematizing mediators between individuals and national grandeur, and together the films form a historical series of quite consistent albeit surprising articulations of the metabolism of life in national grandeur. This focus on the home leads to reflections on the problems of the idea of “represented nationalism” in cinema.
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宏伟的幽灵
摘要Carsten Meiner分析了从《特吕弗》到《哈内克》的一系列经典法国电影,以及它们对家的使用,以及宏伟与个性之间的关系。因此,家庭成为个人和国家宏伟之间的问题中介,这些电影共同形成了一个历史系列,对国家宏伟中的生命代谢进行了相当一致但令人惊讶的阐述。这种对家庭的关注引发了对电影中“代表民族主义”思想问题的反思。
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来源期刊
Home Cultures
Home Cultures ARCHITECTURE-
CiteScore
0.80
自引率
0.00%
发文量
12
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