The Concept of Shi: Chinese Aesthetics and Happy Rain on a Spring Night (2004)

IF 0.4 2区艺术学 0 MUSIC Music Theory Online Pub Date : 2020-08-01 DOI:10.30535/MTO.26.3.11

N. Rao

引用次数: 2

Abstract

The article brings a conceptual framework of Chinese aesthetics, music analysis, and theory developed in North America to bear on the analysis of Chen Yi’s chamber ensemble Happy Rain on a Spring Night (2004). As a framework to analyze the work (both the poem by Du Fu and the music composition), it proposes the concept of shi, which can be described as “dynamic configuration” or “the probability and propensity that drive the process.” The end of the article discusses issues related to culturally situated analysis. DOI: 10.30535/mto.26.3.0 Volume 26, Number 3, August 2020 Copyright © 2020 Society for Music Theory

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《石的概念：中国美学与春夜春雨》（2004）

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来源期刊

Music Theory Online MUSIC-

CiteScore

1.70

自引率

25.00%

发文量

审稿时长

42 weeks

期刊介绍： Music Theory Online is a journal of criticism, commentary, research and scholarship in music theory, music analysis, and related disciplines. The refereed open-access electronic journal of the Society for Music Theory, MTO has been in continuous publication since 1993. New issues are published four times per year and include articles, reviews, commentaries, and analytical essays. In addition, MTO publishes a list of job opportunities and abstracts of recently completed dissertations.

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