J. Hoorn, R. Mackay, C. Dyson, Dinah Dysart, David Mackay, H. Tanner, Kylie Winkworth
{"title":"Dr Mary Mackay (1931–2017)","authors":"J. Hoorn, R. Mackay, C. Dyson, Dinah Dysart, David Mackay, H. Tanner, Kylie Winkworth","doi":"10.1080/14434318.2020.1792043","DOIUrl":null,"url":null,"abstract":"Mary Helena Mackay (n ee Short) was an Australian art historian, researcher, teacher, printmaker, collector and feminist. She was an original and innovative thinker whose pioneering research in Australian art greatly enriched the field. She defended women’s rights and called out injustices when she saw them. Her legacy will live on through her publications, her many contributions to the world of art and in the memories of her students, colleagues, family and friends who benefitted from her intellect, generosity and passion. Mary gained First Class Honours in Art History at the Power Institute, University of Sydney in 1979. Her Doctorate, The Geological Sublime: A New Paradigm, in which she studied the impact of new geological research promoted by scientists on theorists of the sublime in art, presented an original reading of the representation of the landscape by artists working in colonial Australia in the nineteenth century. She showed how the writings of Edmund Burke and Immanuel Kant influenced interpreters of Australian nature while bringing into focus Darwin’s theory of evolution, which had stemmed in part from emerging knowledge concerning geological formations and fossil remains. She analysed the ways in which the reactions of settlers to the Australian bush, coast and desert were interpreted through a sublime reading of the landscape that was highlighted by reference to the emotions of awe, horror and disbelief. She studied the illustrations and writing of British printmakers who journeyed to the Australian interior such as Samuel Calvert and John Skinner Prout and George French Angus. Before completing her doctorate in 1991, Mary worked as a research assistant and tutor while completing her graduate studies before her appointment at the Power Institute. She was promoted to Senior Lecturer before retiring in 2005. Mary was born in North Sydney and educated at the Dominican convent school at Moss Vale. A thoughtful, well-read student, Mary briefly considered entering holy orders, before enrolling at secretarial college. Following the completion of her training she secured a position as a legal stenographer with Sly and Russell Solicitors, where she met, Donald Gordon Mackay, whom she married in 1955. She combined motherhood with work and study following the birth of her four sons, Richard, Anthony, Lawrence (deceased) and David. Applying skills as a","PeriodicalId":29864,"journal":{"name":"Australian and New Zealand Journal of Art","volume":"20 1","pages":"154 - 156"},"PeriodicalIF":0.1000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14434318.2020.1792043","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Australian and New Zealand Journal of Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14434318.2020.1792043","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
Mary Helena Mackay (n ee Short) was an Australian art historian, researcher, teacher, printmaker, collector and feminist. She was an original and innovative thinker whose pioneering research in Australian art greatly enriched the field. She defended women’s rights and called out injustices when she saw them. Her legacy will live on through her publications, her many contributions to the world of art and in the memories of her students, colleagues, family and friends who benefitted from her intellect, generosity and passion. Mary gained First Class Honours in Art History at the Power Institute, University of Sydney in 1979. Her Doctorate, The Geological Sublime: A New Paradigm, in which she studied the impact of new geological research promoted by scientists on theorists of the sublime in art, presented an original reading of the representation of the landscape by artists working in colonial Australia in the nineteenth century. She showed how the writings of Edmund Burke and Immanuel Kant influenced interpreters of Australian nature while bringing into focus Darwin’s theory of evolution, which had stemmed in part from emerging knowledge concerning geological formations and fossil remains. She analysed the ways in which the reactions of settlers to the Australian bush, coast and desert were interpreted through a sublime reading of the landscape that was highlighted by reference to the emotions of awe, horror and disbelief. She studied the illustrations and writing of British printmakers who journeyed to the Australian interior such as Samuel Calvert and John Skinner Prout and George French Angus. Before completing her doctorate in 1991, Mary worked as a research assistant and tutor while completing her graduate studies before her appointment at the Power Institute. She was promoted to Senior Lecturer before retiring in 2005. Mary was born in North Sydney and educated at the Dominican convent school at Moss Vale. A thoughtful, well-read student, Mary briefly considered entering holy orders, before enrolling at secretarial college. Following the completion of her training she secured a position as a legal stenographer with Sly and Russell Solicitors, where she met, Donald Gordon Mackay, whom she married in 1955. She combined motherhood with work and study following the birth of her four sons, Richard, Anthony, Lawrence (deceased) and David. Applying skills as a
玛丽·海伦娜·麦凯是一位澳大利亚艺术史学家、研究员、教师、版画家、收藏家和女权主义者。她是一位富有独创性和创新性的思想家,对澳大利亚艺术的开拓性研究极大地丰富了这一领域。她捍卫妇女的权利,并在看到这些权利时大声疾呼不公正。她的遗产将通过她的出版物、她对艺术世界的许多贡献以及她的学生、同事、家人和朋友的记忆而永存,他们从她的智慧、慷慨和热情中受益。1979年,玛丽在悉尼大学权力学院获得艺术史一等荣誉。在她的博士学位《地质崇高:新范式》中,她研究了科学家推动的新地质研究对艺术崇高理论家的影响,并对19世纪在殖民地澳大利亚工作的艺术家对景观的表现进行了原创解读。她展示了埃德蒙·伯克(Edmund Burke)和伊曼纽尔·康德(Immanuel Kant)的著作是如何影响澳大利亚自然的诠释者的,同时也使人们关注达尔文的进化论,这在一定程度上源于有关地质构造和化石遗迹的新兴知识。她分析了定居者对澳大利亚丛林、海岸和沙漠的反应是如何通过对景观的崇高解读来解读的,其中提到了敬畏、恐怖和难以置信的情绪。她研究了前往澳大利亚内陆的英国版画家的插图和写作,如塞缪尔·卡尔弗特、约翰·斯金纳·普劳特和乔治·弗伦奇·安古斯。在1991年完成博士学位之前,玛丽在电力研究所完成研究生学习期间担任研究助理和导师。2005年退休前,她被提升为高级讲师。玛丽出生于北悉尼,在莫斯谷的多明尼加修道院学校接受教育。玛丽是一个思想缜密、博览群书的学生,在进入秘书学院之前,她曾短暂考虑过进入圣职。培训结束后,她在Sly and Russell律师事务所获得了一个法律速记员的职位,在那里她遇到了唐纳德·戈登·麦凯,并于1955年结婚。在她的四个儿子Richard、Anthony、Lawrence(已故)和David出生后,她将母亲身份与工作和学习结合在一起。将技能作为