{"title":"Operational Media: Cybernetics, Biopolitics and Postwar Education","authors":"Zoë Druick","doi":"10.14516/fde.835","DOIUrl":null,"url":null,"abstract":"This article develops the concept of «operational media» to think through the deployment of utility/useful cinema in the context of cybernetically informed educational policy. The paper argues that cybernetic concepts of communication, feedback loops and homeostasis were central to the pragmatic installation of media at the center of postwar mass education. Links are made to the dominance of cybernetic ideas in postwar social science, including social psychology, sociobiology and behaviourism. A consideration of the UN’s operational media allows for a reconsideration of the agency’s communicative mandate as biopolitical and governmental. Educational policies influenced by the UN were doubly concerned with technologized classrooms: cybernetic ideas presented themselves as politically neutral, while offering efficiencies in the delivery of content. Cold war citizenship was thus conceived as a form of training that would pragmatically lead to the rebalancing of a volatile international situation. Carrefour de la vie (1949), made by Belgian filmmaker Henri Storck for the United Nations, is presented as an example of the centrality of mental health for citizenship training in postwar biopolitical regimes. In particular, the tension between the film’s humanist and cybernetic strands are considered. Au Carrefour de la vie is considered as a transitional text, presenting a humanist story of childhood in postwar life that simultaneously prefigures the operation of a controlled society.","PeriodicalId":43476,"journal":{"name":"Foro de Educacion","volume":"18 1","pages":"63-81"},"PeriodicalIF":0.5000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Foro de Educacion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14516/fde.835","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"EDUCATION & EDUCATIONAL RESEARCH","Score":null,"Total":0}
引用次数: 5
Abstract
This article develops the concept of «operational media» to think through the deployment of utility/useful cinema in the context of cybernetically informed educational policy. The paper argues that cybernetic concepts of communication, feedback loops and homeostasis were central to the pragmatic installation of media at the center of postwar mass education. Links are made to the dominance of cybernetic ideas in postwar social science, including social psychology, sociobiology and behaviourism. A consideration of the UN’s operational media allows for a reconsideration of the agency’s communicative mandate as biopolitical and governmental. Educational policies influenced by the UN were doubly concerned with technologized classrooms: cybernetic ideas presented themselves as politically neutral, while offering efficiencies in the delivery of content. Cold war citizenship was thus conceived as a form of training that would pragmatically lead to the rebalancing of a volatile international situation. Carrefour de la vie (1949), made by Belgian filmmaker Henri Storck for the United Nations, is presented as an example of the centrality of mental health for citizenship training in postwar biopolitical regimes. In particular, the tension between the film’s humanist and cybernetic strands are considered. Au Carrefour de la vie is considered as a transitional text, presenting a humanist story of childhood in postwar life that simultaneously prefigures the operation of a controlled society.
本文发展了“运营媒体”的概念,通过在控制论知情的教育政策背景下部署效用/有用的电影进行思考。该论文认为,传播、反馈回路和稳态的控制论概念是战后大众教育中心媒体实用装置的核心。这与控制论思想在战后社会科学中的主导地位有关,包括社会心理学、社会生物学和行为主义。考虑到联合国的运作媒体,可以重新考虑该机构作为生物政治和政府的沟通任务。受联合国影响的教育政策对技术化课堂加倍关注:控制论思想表现为政治中立,同时提高了内容交付的效率。因此,冷战时期的公民身份被认为是一种培训形式,它将在实际中导致动荡的国际局势的重新平衡。比利时电影制作人亨利·斯托克为联合国拍摄的《Carrefour de la vie》(1949)是战后生物政治制度中心理健康对公民培训的中心作用的一个例子。特别是,电影的人文主义和控制论之间的张力被考虑在内。《生活的家乐福》被认为是一部过渡文本,讲述了战后生活中童年的人道主义故事,同时预示着一个受控社会的运作。