Green Man

R. Hutton
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引用次数: 0

Abstract

The Green Man, a figure usually taken as representing the vivifying and fertilising power of the natural world, and especially of vegetation, has become one of the icons of modern ecology and environmental spirituality. He is often represented visually by a foliate head, gushing leaves from mouth and nose, of the kind found carved in medieval churches, and associated also with the foliate Jack-in-the-Green character in May Day festivities and with dying and returning fertility gods in ancient mythologies. This essay is intended to chart the development of the figure, which gains much of its emotive and creative power from being a twentieth-century construction, drawing on a range of disparate older images. It provides an important case study of the relationship between professional and independent scholarship in the creation of modern ideas, and the manner in which new and powerful iconic motifs can be evolved within modern spirituality.
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环保人士
绿人,一个通常被视为代表自然世界,尤其是植被的生动和肥沃力量的人物,已经成为现代生态学和环境精神的象征之一。他经常在视觉上表现为一个叶片状的头部,从嘴巴和鼻子喷出树叶,这是中世纪教堂中雕刻的那种,也与五一节庆祝活动中的叶片状的绿色杰克角色以及古代神话中垂死和回归的生育神联系在一起。这篇文章旨在描绘这个人物的发展,它从20世纪的建筑中获得了很大的情感和创造力,借鉴了一系列不同的古老图像。它提供了一个重要的案例研究,探讨了现代思想创作中专业和独立学术之间的关系,以及在现代精神中进化出新的、强有力的标志性主题的方式。
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来源期刊
CiteScore
1.00
自引率
0.00%
发文量
30
期刊最新文献
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