Pen of Molten Fire: Dr. Haunani-Kay Trask’s Writing as Indigenous Resistance

Luhui Whitebear
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Abstract

For Indigenous Pacific peoples, including those from islands and from coastal regions, it is the ocean that carries our stories through the currents. This article centers Haunani-Kay Trask’s work and the Pacific not as a place of separation but as a place of connection among Indigenous people using Kānaka Maoli and Coastal Chumash people as examples. Trask’s poetry and other literary work is discussed as a form of Indigenous resistance alongside personal narrative to thread the stories together, highlighting the ways in which militarization and other settler colonial practices have been used to limit the sovereign rights of Indigenous people.
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熔火之笔:Haunani Kay Trask博士作为土著抵抗者的写作
对于太平洋土著人民,包括来自岛屿和沿海地区的土著人民来说,正是海洋将我们的故事带过了洋流。本文以Kānaka Maoli和Coastal Chumash人为例,将Haunani Kay Trask的作品和太平洋作为一个土著人之间的联系之地,而不是一个分离之地。特拉斯克的诗歌和其他文学作品被视为土著抵抗的一种形式,与个人叙事一起将故事串联在一起,突出了军事化和其他定居者殖民做法被用来限制土著人民主权的方式。
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