Ludwig Senfl (c.1490–1543): A Catalogue Raisonné of the Works and Sources. Volume 1: Catalogue of the Works. Volume 2: Catalogue of the Sources–Abbreviations, Bibliography, Indexes by Stefan Gasch and Sonja Tröster, in collaboration with Birgit Lodes (review)
{"title":"Ludwig Senfl (c.1490–1543): A Catalogue Raisonné of the Works and Sources. Volume 1: Catalogue of the Works. Volume 2: Catalogue of the Sources–Abbreviations, Bibliography, Indexes by Stefan Gasch and Sonja Tröster, in collaboration with Birgit Lodes (review)","authors":"Joseph Sargent","doi":"10.1353/fam.2021.0013","DOIUrl":null,"url":null,"abstract":"research on other forms of primary sources, such as material culture and archaeological evidence, could possibly tell us more about their musical lives. The Sweet Penance of Music is an indispensable book for musicologists of colonial Latin America, Chilean historians, archivists, and Chilean music scholars across disciplines. While the book requires basic musicological knowledge, it is legible for scholars, public sector professionals, and undergraduate student audiences alike. Most importantly, Vera’s work brings to the center a city whose musical practices nuance and expand our understanding of the public, private, and religious lives of the colonial Americas.","PeriodicalId":41623,"journal":{"name":"FONTES ARTIS MUSICAE","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/fam.2021.0013","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FONTES ARTIS MUSICAE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/fam.2021.0013","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
research on other forms of primary sources, such as material culture and archaeological evidence, could possibly tell us more about their musical lives. The Sweet Penance of Music is an indispensable book for musicologists of colonial Latin America, Chilean historians, archivists, and Chilean music scholars across disciplines. While the book requires basic musicological knowledge, it is legible for scholars, public sector professionals, and undergraduate student audiences alike. Most importantly, Vera’s work brings to the center a city whose musical practices nuance and expand our understanding of the public, private, and religious lives of the colonial Americas.