Negotiating hybridity, inequality, and hyper-visibility: museums and galleries’ social media response to the COVID-19 pandemic

IF 1.7 2区 社会学 Q1 CULTURAL STUDIES Cultural Trends Pub Date : 2022-09-15 DOI:10.1080/09548963.2022.2122701
J. Kidd, Eva Nieto McAvoy, Ania Ostrowska
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引用次数: 4

Abstract

This article examines the impacts of COVID-19 on the digital work of museums and galleries in the UK, 2020 – 2021. Focusing on social media activity, we explore two questions: (1) How did approaches to, and institutional perceptions of, social media shift during the pandemic? and (2) Looking to the future, what practical and theoretical challenges do social media present for museums and galleries, and what are the related policy implications? The discussion draws on a mixed-methods study including an analysis of 9000 tweets, and re fl ective semi-structured interviews with 19 digital workers. Our fi ndings can help shape global digital heritage practices as we emerge from the pandemic, enabling more dynamic and meaningful forms of cultural participation, and underpinning more con fi dent and ethical social media trajectories. to
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协商混合、不平等和高度可见性:博物馆和画廊对COVID-19大流行的社交媒体反应
本文探讨了新冠肺炎对英国博物馆和画廊数字工作的影响,2020年至2021年。围绕社交媒体活动,我们探讨了两个问题:(1)在疫情期间,社交媒体的方法和机构对社交媒体的看法是如何转变的?(2)展望未来,社交媒体给博物馆和画廊带来了哪些现实和理论挑战,以及相关的政策含义?该讨论借鉴了一项混合方法研究,包括对9000条推文的分析,以及对19名数字工作者的半结构化访谈。随着我们摆脱疫情,我们的发现可以帮助塑造全球数字遗产实践,实现更具活力和意义的文化参与形式,并支撑更具影响力和道德的社交媒体轨迹。到
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来源期刊
Cultural Trends
Cultural Trends Multiple-
CiteScore
5.90
自引率
16.10%
发文量
36
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