Becoming small: Concepts and methods of interdisciplinary practice in theatre for early years

Q1 Arts and Humanities Youth Theatre Journal Pub Date : 2019-01-02 DOI:10.1080/08929092.2019.1580647
L. Høvik
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引用次数: 3

Abstract

ABSTRACT This article aims to look at core concepts in two artistic research projects exploring interdisciplinary approaches to performing arts for young children (interdisciplinarity can here be understood as integrating knowledge and methods from different disciplines to develop common approaches to artmaking). Playing, improvisation, presence, musical communication, affective attunement, participation, and interactivity are all concepts that are used widely in the field of art for the early years. To be able to reflect on the concepts and discuss how they are used, I give a short presentation of my PhD project, The Red Shoes Project (2008–14), about improvisation, participation, and children´s play in theatre for early years (TEY). In addition, I give examples from The SceSam Project (2012–16), which investigated interactive dramaturgies in performing arts for children. With research perspectives from these two artistic research projects as context, the particle presents and discusses interdisciplinary artistic research methods and the need to find overarching concepts. The concepts work as tools for reflection and can provide insight, from a theoretical point of view, into the artistic works.
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变小:早期戏剧跨学科实践的概念和方法
摘要本文旨在探讨两个艺术研究项目中的核心概念,探索幼儿表演艺术的跨学科方法(跨学科可以理解为整合不同学科的知识和方法,以开发共同的艺术创作方法)。演奏、即兴创作、在场、音乐交流、情感协调、参与和互动都是早期在艺术领域广泛使用的概念。为了能够反思这些概念并讨论它们是如何使用的,我简要介绍了我的博士项目“红鞋项目”(2008-2014),关于即兴创作、参与和儿童早期戏剧(TEY)。此外,我还举了SceSam项目(2012-2016)的例子,该项目调查了儿童表演艺术中的互动戏剧。文章以这两个艺术研究项目的研究视角为背景,提出并讨论了跨学科的艺术研究方法以及寻找总体概念的必要性。这些概念是反思的工具,可以从理论的角度洞察艺术作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Youth Theatre Journal
Youth Theatre Journal Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
1
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