Ethnotextual mental translation and self-translation in African literature

Q4 Arts and Humanities Ars Aeterna Pub Date : 2017-12-20 DOI:10.1515/aa-2017-0010
Fella Benabed
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引用次数: 1

Abstract

Abstract Interest in African literature and translation is relatively new; it mainly emerged in the 1990s with the postcolonial turn in translation studies, under the influence of the cultural turn, the polysystems theory and the “Manipulation School”. Many African writers describe themselves as intercultural translators; they hover over the following questions: Is it a form of selfdenigration not to use one’s mother tongue as a medium of literary creation? How can their literary creations account for their postcolonial experience in the languages of former colonizers? Can these languages render the specificities of their distinct cultural worldviews? The linguistic choice made by African writers is hence highly political because it involves a compromise that rests on power relations. Their writing often involves a sort of translation from Source Language (SL) to Target Language (TL) whether through ethnotextual mental translation or self-translation.
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非洲文学中的民族文本心理翻译与自我翻译
对非洲文学和翻译的兴趣相对较新;它主要出现在20世纪90年代,伴随着翻译研究的后殖民转向,受到文化转向、多系统理论和操纵学派的影响。许多非洲作家称自己是跨文化翻译家;他们徘徊在以下问题上:不把母语作为文学创作的媒介,这是一种自我诋毁吗?他们的文学创作如何用前殖民者的语言解释他们的后殖民经历?这些语言能否体现出其独特文化世界观的特殊性?因此,非洲作家的语言选择具有高度的政治性,因为它涉及到建立在权力关系基础上的妥协。他们的写作通常涉及从源语言(SL)到目标语言(TL)的翻译,无论是通过民族文本心理翻译还是自我翻译。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Ars Aeterna
Ars Aeterna Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
6
期刊介绍: The multidisciplinary journal focused on the questions of art and its importance in the contemporary world for the development of culture, mutual understanding, and the human Self.
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