Wax resin lining techniques: Edson Motta’s training at the Fogg Conservation Center and its adaptation to the Brazilian reality

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Conservar Patrimonio Pub Date : 2020-11-04 DOI:10.14568/cp2019015
M. Paiva, Marian Aguiar, E. Vieira
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引用次数: 0

Abstract

After Edson Motta’s graduation from the Fogg Conservation Center, his experience contributed to the practice of conservation in Brazil through the introduction of new materials and the technique of wax-resin lining. However, this technique has drawbacks when applied in a country of tropical climate and few resources. It is important, when considering the use of this approach, to be mindful of the conservator’s historical role, which can reveal why this technique was, very likely, the best choice for the conservation of the vast patrimony of canvas paintings in Brazil.
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蜡树脂衬里技术:Edson Motta在福格保护中心的培训及其对巴西现实的适应
Edson Motta从福格保护中心毕业后,通过引入新材料和蜡树脂衬里技术,他的经验为巴西的保护实践做出了贡献。然而,这种技术在热带气候和资源匮乏的国家应用时有缺点。在考虑使用这种方法时,重要的是要注意保护人的历史角色,这可以揭示为什么这种技术很可能是保护巴西大量油画遗产的最佳选择。
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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