{"title":"Enlarged paintings: a proposal for classification","authors":"A. Bonilla, José Manuel Barros García, S. M. Rey","doi":"10.14568/cp2019032","DOIUrl":null,"url":null,"abstract":"The concept of enlarged painting refers to the technique of extending the support of an easel painting as well as its compositional space, to simulate a continuity with the original painting. Enlargements of support are considered historical additions with a huge documentary weight, so making decisions about their conservation entails great responsibility. Furthermore, additions can be key for a painting to fulfil its function within a certain social assemblage or network, so to promote correct decision making, it is vital to know the reasons why a painting was enlarged. The aim of this research has been to develop a classification of enlarged paintings, according to the purpose of the enlargement. The classification includes the following categories: updating pictures, adaptation to a new space and/or a new frame, completing mutilated paintings, changes in iconography, enlargement in order to create independent works, and grouping paintings together.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2020-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conservar Patrimonio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14568/cp2019032","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 1
Abstract
The concept of enlarged painting refers to the technique of extending the support of an easel painting as well as its compositional space, to simulate a continuity with the original painting. Enlargements of support are considered historical additions with a huge documentary weight, so making decisions about their conservation entails great responsibility. Furthermore, additions can be key for a painting to fulfil its function within a certain social assemblage or network, so to promote correct decision making, it is vital to know the reasons why a painting was enlarged. The aim of this research has been to develop a classification of enlarged paintings, according to the purpose of the enlargement. The classification includes the following categories: updating pictures, adaptation to a new space and/or a new frame, completing mutilated paintings, changes in iconography, enlargement in order to create independent works, and grouping paintings together.
期刊介绍：
Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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