Experiments and detailed error-analysis of automatic square notation transcription of medieval music manuscripts using CNN/LSTM-networks and a neume dictionary

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS Journal of New Music Research Pub Date : 2021-01-01 DOI:10.1080/09298215.2021.1873393
C. Wick, F. Puppe
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引用次数: 10

Abstract

The automatic recognition of scanned Medieval manuscripts written in square notation still represents a challenge due to degradation, non-standard layouts, or notations. We propose to apply CNN/LSTM networks that are trained using the segmentation-free CTC-loss-function. For evaluation, we use three different manuscripts and achieve a diplomatic Symbol Accuracy Rate (dSAR) of 86.0% on the most difficult book and 92.2% on the cleanest one. A neume dictionary during decoding yields a relative improvement of about 5%. Finally, we perform a thorough error analysis to provide a deeper insight into problems of the algorithm.
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使用CNN/LSTM网络和neume字典对中世纪音乐手稿进行自动方记法转录的实验和详细误差分析
由于退化、布局或符号不标准,自动识别用正方形符号书写的中世纪手稿扫描仍然是一个挑战。我们建议应用使用无分割CTC损失函数训练的CNN/LSTM网络。为了进行评估,我们使用了三种不同的手稿,在最难的书上获得了86.0%的外交符号准确率(dSAR),在最干净的书上达到了92.2%。neume字典在解码期间产生大约5%的相对改进。最后,我们进行了彻底的误差分析,以更深入地了解算法的问题。
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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