Barthes, Beckett and Lacan: The Image, the One and the Real

IF 0.2 4区 文学 0 LITERATURE PARAGRAPH Pub Date : 2022-07-01 DOI:10.3366/para.2022.0400
Llewellyn Brown
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引用次数: 0

Abstract

This article brings together Roland Barthes and Samuel Beckett into a dialogue devoid of hierarchy, with Jacques Lacan as mediator. Both writers were intent on escaping the sway of the image considered as formatted by meanings. For Barthes, the themes of love and photography point to the existence of unicity within the dispersal of meanings and the reality of loss. Rather than undoing the image like Barthes, Beckett starts from an inaugural absence of instituted reality: from an original absence of any ‘that-has-been’, as expressed in the motif of the mask. Both authors locate vision within speech, and the alterity contained within the latter.
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巴特、贝克特和拉康:图像、唯一与真实
本文将罗兰·巴特和塞缪尔·贝克特召集到一场没有等级制度的对话中,雅克·拉康担任调解人。两位作家都有意摆脱被认为是由意义格式化的形象的影响。对巴特来说,爱和摄影的主题指向在意义的分散和失落的现实中存在的单一性。贝克特并没有像巴特那样毁掉这个形象,而是从一个既定现实的首次缺失开始:从面具主题中表达的任何“已经”的最初缺失开始。两位作者都将视觉定位在言语中,并将交替定位在后者中。
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来源期刊
PARAGRAPH
PARAGRAPH LITERATURE-
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and figures in modern critical theory.
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