Open Spaces and Consumerist Excess. On Marisa Volpi’s book Arte dopo il 1945. U.S.A.

Q4 Arts and Humanities Art in Translation Pub Date : 2022-07-24 DOI:10.1080/17561310.2022.2087997
Silvia Bottinelli
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Abstract

Abstract This essay presents an analysis of the book Arte dopo il 1945. U.S.A (Art after 1945. U.S.A), published by Italian art historian and critic Marisa Volpi in 1969, after traveling to the United States of America in the mid-1960s. While Volpi’s perspective is imbued with Eurocentric art genealogies, her direct observation of US contexts and encounter with artists and institutional figures in North America shape aspects of her narrative. Volpi sees contemporary US art as a response to the vast landscapes, urban materials, and excessive consumerism of US spaces and society. Volpi's introductory chapter and her chapter “Pop Art” from her book are available in English translation in this volume.
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开放空间和过度消费。关于玛丽莎·沃尔皮1945年出版的《艺术》一书。美国
摘要本文对《1945年的艺术》一书进行了分析。美国(1945年以后的艺术。美国),由意大利艺术历史学家和评论家Marisa Volpi在20世纪60年代中期前往美利坚合众国后于1969年出版。虽然沃尔皮的视角充满了以欧洲为中心的艺术谱系,但她对美国背景的直接观察以及与北美艺术家和机构人物的接触塑造了她的叙事。沃尔皮认为,当代美国艺术是对广阔的风景、城市材料以及美国空间和社会过度消费主义的回应。Volpi的介绍章和她书中的“波普艺术”一章在本卷中有英文翻译。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Art in Translation
Art in Translation Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
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16
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