A microfading survey of the lightfastness of blue, black and red ballpoint pen inks in ambient and modified environments

Q2 Arts and Humanities AICCM Bulletin Pub Date : 2018-01-02 DOI:10.1080/10344233.2018.1515809
Bruce L. Ford
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引用次数: 4

Abstract

The lightfastness of approximately 100 randomly selected red, black and blue inks was surveyed using the microfade technique. The inks’ responses were recorded at 55% and at 1% relative humidity (RH) in air, and in a low oxygen environment (<10 ppm O2) at 55% RH. Their light sensitivity in air was highly unpredictable, ranging from the detection limit of the technique to several times greater than the most fugitive ISO Blue Wool Fading Standard (BW1). With very few exceptions, the response of blue and black inks was markedly suppressed in anoxia, and the opposite was true of a significant proportion of red inks tested. The correlation between RH and light-sensitivity in air was weak, with highly variable responses in both directions. The results show that it is not possible to make useful display (light exposure) recommendations for ballpoint pen inks without prior fade-testing.
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蓝色、黑色和红色圆珠笔油墨在环境和改性环境中耐光性的缩微调查
使用缩微技术调查了大约100种随机选择的红色、黑色和蓝色油墨的耐光性。在空气中55%和1%的相对湿度(RH)以及低氧环境(<10 ppm O2)。它们在空气中的感光度是高度不可预测的,从该技术的检测极限到比最快的ISO蓝羊毛褪色标准(BW1)高出几倍。除了极少数例外,蓝色和黑色墨水在缺氧条件下的反应被显著抑制,而测试的大量红色墨水则相反。相对湿度和空气中的感光度之间的相关性很弱,在两个方向上的反应都高度可变。结果表明,如果没有事先的褪色测试,就不可能对圆珠笔墨水提出有用的显示(曝光)建议。
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AICCM Bulletin
AICCM Bulletin Arts and Humanities-Museology
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