Pauliina Rauhala’s Taivaslaulu as a Critique of Finnish Conservative Laestadians’ Birth Control Ban

T. Valkeakari
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Abstract

The Finnish author Pauliina Rauhala’s award-winning debut novel, Taivaslaulu (2013; Heaven Song)—which investigates the nexus of gender, agency, and familial and religio-communal belonging—is set in the world of Conservative Laestadianism, the largest revival movement within the Evangelical Lutheran Church of Finland. This conservative pietist movement is known, among other things, for its birth control ban, which extends not only to artificial contraception but also to fertility awareness methods and, in its most extreme form, even to marital celibacy. This article argues that “continuous traumatic stress” (CTS)—a term that, unlike post-traumatic stress, focuses on chronic, ongoing trauma—and “religious trauma” together constitute a relevant conceptual lens through which to examine Rauhala’s depiction of the life of her female protagonist under the Conservative Laestadian birth control ban, a prohibition operating in the realm of religious regulation of both body and mind. More generally, this article posits that examinations of gendered and gender-specific traumas resulting from “destructive uses of religion” (psychiatrist James L. Griffith’s term; italics added) are an integral part of the interdisciplinary study of religion and gender.
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Paulina Rauhala的Taivaslaulu批评芬兰保守派的计划生育禁令
芬兰作家Paulina Rauhala的获奖处女作《Taivaslaulu》(2013;《天堂之歌》)探讨了性别、代理、家庭和宗教社区归属之间的关系,故事发生在保守派的Laestadian主义世界,这是芬兰福音路德教会内最大的复兴运动。这场保守的虔诚主义运动因其节育禁令而闻名,该禁令不仅适用于人工避孕,还适用于生育意识方法,最极端的形式甚至适用于婚姻独身。这篇文章认为,“持续的创伤压力”(CTS)——一个与创伤后压力不同的术语,专注于慢性、持续的创伤——和“宗教创伤”共同构成了一个相关的概念镜头,通过它来审视Rauhala对保守派Laestadian节育禁令下女主人公生活的描述,在对身体和精神进行宗教调节的领域中实施的禁令。更普遍地说,这篇文章认为,对“宗教的破坏性使用”(精神病学家詹姆斯·L·格里菲斯的术语;斜体字添加)造成的性别和性别特定创伤的检查是宗教和性别跨学科研究的组成部分。
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