Potters in Transition

Q2 Arts and Humanities Altorientalische Forschungen Pub Date : 2021-11-05 DOI:10.1515/aofo-2021-0016
Sabine Kleiman
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Abstract

Abstract For many years, the Late Bronze/Iron Age transition in the southern Levant has been the subject of intense debates concerning chronological matters and cultural developments. Ceramic studies were often the focal point of the discussion, but they usually concentrated on the appearance of Aegean-style pottery in the southern Coastal Plain and the nearby Shephelah, while largely disregarding the indigenous pottery tradition. In this paper, I study the processes of continuity and change in ceramic shape morphology and decoration techniques of three important tell-sites in the Shephelah: Lachish, ʿAzẹqȧ (Tel Azekah) and Ekron. It will be shown that marked innovations took place during the transition to the Iron I. These were most likely triggered by the appearance of foreign potters who produced local Aegean-style wares and seem to have influenced the traditions of the indigenous ceramic workshops. Such insights not only allow a fine-tuning of the relative chronology of the region at the end of the second millennium BCE, but also illuminate the transmission of professional knowledge and cultural traits through the ages.
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转型期的陶艺家
摘要多年来,南黎凡特青铜/铁器时代晚期的过渡一直是关于时间问题和文化发展的激烈争论的主题。陶瓷研究通常是讨论的焦点,但它们通常集中在南部沿海平原和附近Shephelah的爱琴海风格陶器的外观上,而在很大程度上忽视了当地的陶器传统。在本文中,我研究了Shephelah三个重要的遗址:Lachish、ʿAz的陶瓷形状形态和装饰技术的连续和变化过程ẹqȧ(Tel Azekah)和Ekron。这将表明,在向铁一号过渡的过程中发生了显著的创新。这些创新很可能是由外国陶艺家的出现引发的,他们生产了当地爱琴海风格的陶器,似乎影响了当地陶瓷作坊的传统。这些见解不仅可以微调公元前第二个千年末该地区的相对年表,还可以阐明专业知识和文化特征在各个时代的传播。
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来源期刊
Altorientalische Forschungen
Altorientalische Forschungen Arts and Humanities-History
CiteScore
0.60
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0.00%
发文量
14
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