Unmasking Maps, Unmaking Empire: Towards an Archipelagic Cartography

Q2 Arts and Humanities Journal of Transnational American Studies Pub Date : 2023-05-28 DOI:10.5070/t814160835
Steffen Wöll
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Abstract

What Joseph Campbell in his classical study calls the “monomyth” is, as psychoanalyst Clarissa Pinkola Estés notes, a meta-narrative that “informs and [… ] spiritually grows the cultures, and the peoples within those cultures, through its universal cache of idioms and images.” 1 Acknowledging that human placemaking, meaning-making, and storytelling rely on mental mapping and mapmaking, this essay expands the scrutiny of narrative structures of placemaking towards the realms of spatial imaginations, human geographies, and transnational cartographic practices of mobility. Tracing both colonial and anti-colonial nodes of these practices across oceanic circuits makes visible what Albert Wendt described as “so fabulously varied a scatter of islands, nation s, cultures, mythologies and myths, so dazzling a creature.” 2 What emerges is, I suggest, an archipelagic cartography that opens new venues for critical reconceptualizations of islands, mainlands, centers, peripheries, colonial histories, and transnational future trajectories.
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揭开地图的面纱,揭开帝国的面纱:迈向群岛制图
正如精神分析学家Clarissa Pinkola Estés所指出的,Joseph Campbell在其经典研究中所称的“单体叙事”是一种元叙事,“通过其普遍的习语和图像库,为文化和这些文化中的人民提供信息并在精神上发展。”,本文将对地点制作的叙事结构的审视扩展到空间想象、人类地理和跨国流动的制图实践领域。跨越海洋回路追踪这些做法的殖民和反殖民节点,可以看到阿尔伯特·温特所描述的“岛屿、国家、文化、神话和神话的多样性如此惊人,如此耀眼的生物。”2我认为,出现的是一种群岛制图,它为岛屿、大陆、中心的批判性重新概念开辟了新的场所,周边地区、殖民历史和跨国未来轨迹。
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来源期刊
Journal of Transnational American Studies
Journal of Transnational American Studies Arts and Humanities-Arts and Humanities (all)
CiteScore
0.70
自引率
0.00%
发文量
14
审稿时长
16 weeks
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