{"title":"Music and Internationalism in Nazi Germany: Provenance and Post-War Consequences","authors":"Ian Pace","doi":"10.1017/rma.2022.28","DOIUrl":null,"url":null,"abstract":"In October 1945, five months after the end of the Second World War in Europe, German critic Edmund Nick wrote the following in the American-sponsored Munich newspaper Neue Zeitung:","PeriodicalId":17438,"journal":{"name":"Journal of the Royal Musical Association","volume":"147 1","pages":"594 - 616"},"PeriodicalIF":0.2000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Royal Musical Association","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/rma.2022.28","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
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Abstract
In October 1945, five months after the end of the Second World War in Europe, German critic Edmund Nick wrote the following in the American-sponsored Munich newspaper Neue Zeitung:
期刊介绍：
The Journal of the Royal Musical Association was established in 1986 (replacing the Association"s Proceedings) and is now one of the major international refereed journals in its field. Its editorial policy is to publish outstanding articles in fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal works to disseminate knowledge across the discipline and communicate specialist perspectives to a broad readership, while maintaining the highest scholarly standards.
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