Between the Signposts: Thematic Interpolation and Structural Defamiliarization in Prokofiev’s Sonata Process

IF 1.6 1区 艺术学 0 MUSIC MUSIC THEORY SPECTRUM Pub Date : 2020-10-01 DOI:10.1093/mts/mtaa004
Rebecca Perry
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引用次数: 1

Abstract

This article explores the manner in which Prokofiev’s interpolation of unrelated material in the middle of a traditional theme-space ironizes a seemingly normative sonata process in the first movement of his Second Piano Sonata (1912). By serving as the motivic, tonal, and rhetorical source of much that follows, this interpolation launches a quietly subversive counternarrative that threatens to undermine the traditional sonata narrative upon which the P theme had embarked. I invoke Russian Formalist literary theory as a framework for clarifying and contextualizing the disruptive structural function of Prokofiev’s interpolations within his larger sonata text.
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路标之间:普罗科菲耶夫奏鸣曲过程中的主题插入与结构陌生化
本文探讨了普罗科菲耶夫在其《第二钢琴奏鸣曲》(1912年)的第一乐章中,在传统主题空间中间插入无关材料的方式,对看似规范的奏鸣曲过程进行了讽刺。通过充当后续内容的动机、音调和修辞来源,这种插入发起了一种悄悄的颠覆性反叙事,可能会破坏P主题所依据的传统奏鸣曲叙事。我援引俄罗斯形式主义文学理论作为一个框架,来澄清普罗科菲耶夫在其更大的奏鸣曲文本中插入的破坏性结构功能,并将其置于情境中。
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来源期刊
CiteScore
2.30
自引率
20.00%
发文量
15
期刊介绍: A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.
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