{"title":"Patsy, mi amor, la melancólica evasión de la feminidad mexicana","authors":"Giovanna Arias Carbone","doi":"10.19130/iifl.ap.2022.2.178x270s6","DOIUrl":null,"url":null,"abstract":"Patsy, mi amor (1969) could seem like one more of the many films about young people thatwere shot in Mexico in the sixties or go unnoticed as an auteur extravaganza. A deeper look than the a-go-go irreverence and psychedelia, will find an aesthetic subtlety and an intertextual game that border on the excessive. This article does not intend to unfold that referential range, but rather to analyze one of the less obvious dialogues in the film, although with greater interpretative richness: the one established by the protagonist with the women of her own film tradition. To do this, we will analyze how the construction of the character of Patsy operates as a questioning of the classic saint/prostitute binarism, through a melancholic resistance to conventional femininity and eroticism.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Poetica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19130/iifl.ap.2022.2.178x270s6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
Abstract
Patsy, mi amor (1969) could seem like one more of the many films about young people thatwere shot in Mexico in the sixties or go unnoticed as an auteur extravaganza. A deeper look than the a-go-go irreverence and psychedelia, will find an aesthetic subtlety and an intertextual game that border on the excessive. This article does not intend to unfold that referential range, but rather to analyze one of the less obvious dialogues in the film, although with greater interpretative richness: the one established by the protagonist with the women of her own film tradition. To do this, we will analyze how the construction of the character of Patsy operates as a questioning of the classic saint/prostitute binarism, through a melancholic resistance to conventional femininity and eroticism.
期刊介绍：
Acta Poética es una revista semestral, arbitrada y de acceso abierto (open-access), que publica artículos, notas, entrevistas y reseñas originales y traducidas, escritas principalmente en español y otras lenguas. Nuestra publicación pertenece al Centro de Poética del Instituto de Investigaciones Filológicas de la Universidad Nacional Autónoma de México. El propósito de Acta Poética es ofrecer una plataforma intelectual para los estudiosos de instituciones nacionales y extranjeras y, con ello, aportar reflexiones sustantivas al estudio de la literatura, la crítica literaria y la teoría crítica, sobre aspectos de la literatura y otras expresiones culturales. Nuestra revista está dirigida a estudiosos de la literatura y otras disciplinas relacionadas con arte, cultura y sociedad. El contenido de Acta Poética refleja la diversidad de las líneas de investigación del Centro de Poética, en el marco inter y multidisciplinario de la teoría crítica: mito, semántica, semiótica, deconstrucción, artes visuales, retórica, poética, teoría de la recepción, hermenéutica, crítica literaria, literatura comparada, estudios culturales, misticismo, filología, el impacto de las nuevas tecnologías en el discurso, historia de la literatura, cine, fotografía, arquitectura, artes escénicas, música y su relación con otras disciplinas como la filosofía, la historia, la sociología y la teoría política. Actualmente, la revista se publica en formato impreso y digital.
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