Forever Displaced?: Identity, Migration, and the Concept of Home in the Works of Manzu Islam, Neamat Imam, and Tahmima Anam

Q3 Arts and Humanities Anglica Pub Date : 2019-09-20 DOI:10.7311/0860-5734.28.1.06
Tahmina Mariyam
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Abstract

This paper explores the meaning of identity and nation, home and belonging, through the study of internal and international migration in three novels. In doing so it encoun- ters the construction of collective identity in Manzu Islam’s Song of our Swampland, the dystopian dislocation in Neamat Imam’s The Black Coat and the concept of meta-home in Tahmima Anam’s The Bones of Grace. The complex, unstable space of diaspora seems ever evolving and forever shifting. Here ‘home’ becomes what Homi K. Bhabha has ex- pounded as “a mythic place of desire.” In this fluid construction of diasporic existence the paper examines the concepts of “de-territorialization,” “unhoming,” “dislocation,” “iden- tity,” and “belonging.”
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永远流离失所?:Manzu Islam、Neamat Imam和Tahmima Anam作品中的身份、迁移和家园概念
本文通过对三部小说中国内外移民的研究,探讨了身份与民族、家园与归属的意义。在这样做的过程中,它揭示了曼祖·伊斯拉姆的《我们的沼泽之歌》中集体身份的构建,尼马特·伊玛目的《黑大衣》中的反乌托邦错位,以及塔赫迈玛·阿纳姆的《恩典的骨头》中元家的概念。散居国外的复杂而不稳定的空间似乎在不断演变,永远在变化。在这里,“家”变成了Homi K.Bhabha所说的“一个神话般的欲望之地”。在这种流散存在的流动结构中,本文考察了“去属地化”、“脱钩”、“错位”、“身份”和“归属”的概念
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来源期刊
Anglica
Anglica Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
18
审稿时长
26 weeks
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