‘Mormon reactions to The Book of Mormon’

Q1 Arts and Humanities Comedy Studies Pub Date : 2021-03-23 DOI:10.1080/2040610X.2021.1893469
A. Hale
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引用次数: 1

Abstract

Abstract The sustained success of the Broadway musical The Book of Mormon posed a major dilemma for the Mormon Church 1 and for many individual Mormons who revere the scripture from which the musical comedy takes its name. As a minority religion in the USA, the Mormon Church has endured over 190 years of persecution, public ridicule and marginalisation, much of which has been prompted by media and religious opposition to the Church’s distinctive doctrines and scripture. Naturally, Mormon sensitivity to criticism – including humour which targets its core doctrines – remains high, given this historical legacy of wider community hostility. Nevertheless, the Mormon Church responded with what commentators saw as a unique and good-natured official public relations/proselyting campaign, capitalising on the musical’s success. It signalled what can be referred to as a mature and creative policy/culture of tolerance, and this policy probably encouraged some members to attend the musical. This paper investigates the Church’s official response to the musical, looks briefly at Mormon humour, and presents the results of a survey amongst Mormons who watched the show, to see if Mormons can laugh at The Book of Mormon.
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“摩门教徒对《摩门经》的反应”
摘要百老汇音乐剧《摩门经》的持续成功给摩门教1和许多信奉这部音乐喜剧的圣经的摩门教徒带来了一个重大的困境。作为美国的少数民族宗教,摩门教已经存在了190多年 多年的迫害、公众嘲笑和边缘化,其中大部分是由媒体和宗教反对教会独特的教义和经文引起的。当然,摩门教对批评的敏感性——包括针对其核心教义的幽默——仍然很高,因为这是更广泛的社区敌意的历史遗留问题。尽管如此,摩门教还是利用音乐剧的成功,发起了一场评论员眼中独特而善意的官方公关/传教活动。它标志着可以被称为成熟和创造性的宽容政策/文化,这一政策可能鼓励一些成员参加音乐剧。本文调查了教会对这部音乐剧的官方回应,简要介绍了摩门教徒的幽默,并介绍了对观看该剧的摩门教徒的调查结果,看看摩门教徒是否能嘲笑《摩门教》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Comedy Studies
Comedy Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.60
自引率
0.00%
发文量
26
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