{"title":"Arresting Optics: Black Femme Witnessing in Protest Photojournalism and the Anti-Black Techniques of Police Vision","authors":"Christina Aushana, Tara-Lynne Pixley","doi":"10.1080/03087298.2022.2122239","DOIUrl":null,"url":null,"abstract":"In this article, we animate the interstitial practices shared by photojournalists and police officers, and sketch some of the stakes for visual practitioners ‘bearing witness while black’. We employ visual analyses of protest images by Black photographers while tracing the specific visual techniques of oversight mobilised by law enforcement. These include police departments’ co-optation of news images to identify and criminalise racial justice protesters alongside efforts to professionalise police officers into photographers. We theorise the anti-Black intersections shared across these expansive formations – policing and photojournalism – in an effort to account for the ways in which both systems maintain and invest in damaging visualities that shape consequences ‘on the ground’ for Black and brown communities.","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"45 1","pages":"399 - 410"},"PeriodicalIF":0.3000,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"History of Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03087298.2022.2122239","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
In this article, we animate the interstitial practices shared by photojournalists and police officers, and sketch some of the stakes for visual practitioners ‘bearing witness while black’. We employ visual analyses of protest images by Black photographers while tracing the specific visual techniques of oversight mobilised by law enforcement. These include police departments’ co-optation of news images to identify and criminalise racial justice protesters alongside efforts to professionalise police officers into photographers. We theorise the anti-Black intersections shared across these expansive formations – policing and photojournalism – in an effort to account for the ways in which both systems maintain and invest in damaging visualities that shape consequences ‘on the ground’ for Black and brown communities.
期刊介绍:
History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.