Sounding Bodies: Identity, Injustice, and the Voice

IF 0.6 Q1 Arts and Humanities Voice and Speech Review Pub Date : 2022-09-25 DOI:10.1080/23268263.2022.2123091
Tara McAllister-Viel
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引用次数: 0

Abstract

Simon Masterton grew up in Scotland and trained at Cambridge University, the Royal Academy of Music, and NIDA. He is a production voice coach, teaches spoken voice and music, and is certified in Knight Thompson Speechwork. Simon has been Acting Head of Voice at WAAPA, Perth, and Acting Head of MFA Voice, at NIDA in Sydney. He has also taught at Sydney Actors School, Actors Centre Australia, Sydney Theatre School, Toi Whakaari, and Cal State University, Long Beach. He trains teachers through the NIDA MFA Voice program, Knight Thompson Speechwork courses, and his company, This is Not a Drill. Simon is an Associate Editor of the Voice and Speech Review.
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发声体:身份、不公正与声音
Simon Masterton在苏格兰长大,曾在剑桥大学、皇家音乐学院和NIDA接受培训。他是一名制作配音教练,教授口语和音乐,并获得奈特-汤普森演讲工作室的认证。Simon曾担任珀斯WAAPA的代理语音主管和悉尼NIDA的MFA语音代理主管。他还曾在悉尼演员学校、澳大利亚演员中心、悉尼戏剧学校、Toi Whakaari和加州州立大学长滩分校任教。他通过NIDA MFA Voice项目、Knight Thompson Speechwork课程和他的公司This is Not a Drill培训教师。西蒙是《声音与演讲评论》的副主编。
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来源期刊
Voice and Speech Review
Voice and Speech Review Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
66.70%
发文量
51
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