Catherine Vanderheyde, La Sculpture byzantine du IXe au XVe siècle: contexte – mise en oeuvre – décors. Paris: Éditions A. & J. Picard, 2020. Pp. 364, 193 figs.

IF 0.3 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY BYZANTINE AND MODERN GREEK STUDIES Pub Date : 2021-07-02 DOI:10.1017/byz.2021.16
Henry P. Maguire
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Abstract

events of the late eleventh century, offering at times his thoughts and opinions on events and individuals. As noted by McGeer, ‘[Skylitzes] asserts that its value lies in his critical reading of earlier chronicles and histories, his selection and abridgement of their contents, and the distillation of his sources into essentials, “a history pure and simple” purged of the glorification, censure, or credulity that in his view distorted so many of the works he consulted’ (p. 4). This might explain why the Continuation is only a fifth of the length of Attaleiates’ History: Skylitzes saw it as his purpose to re-package and eliminate unnecessary sections of aggrandisement or harsh opinions on the part of the original authors. One of the most welcome features of this new edition is the concordance (pp. 193–197) that cross-references the historical episodes recorded by Skylitzes Continutatus with Attaleiates and Zonaras: this is extremely useful for students and scholars wishing to undertake comparative analysis of these extraordinary times. Also of considerable value are the introduction and detailed accompanying notes, which illuminate and inform the reader with nuanced explanations and prosopographical information. In the introduction, McGeer offers a detailed summary of the events of the late eleventh century, highlighting areas that may have affected the interpretations of the primary authors themselves, especially the DoukoiKomnenoi rivalry following the abdication of Isaac I Komnenos in 1057. The inclusion of images and a discussion of imperial seals draws attention to an often-overlooked form of evidence, sigillography; this, coupled with the prosopographical index (by John Nesbitt) for reference, helps the reader to contextualise the various characters by providing and explaining their ranks and titles. The translation of Skylitzes Continuatus into English will greatly aid readers interested in the Byzantine world of the eleventh century but unable to read it in the original Greek. This work of McGeer and Nesbitt deserves high praise for stripping away the curtain of inaccessibility, allowing scholars of all levels the chance to study this formative time in Byzantine history.
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凯瑟琳·范德海德,《9世纪至15世纪的拜占庭雕塑:背景——实施——装饰》。巴黎:A.和J.皮卡德版,2020年。第364、193页图。
十一世纪后期的事件,有时提供他对事件和个人的想法和见解。正如麦吉尔所指出的,“[Skylitzes]断言,它的价值在于他对早期编年史和历史的批判性阅读,对其内容的选择和删节,以及将其来源提炼成精华,“一部纯粹的历史”,清除了在他看来扭曲了他查阅的许多作品的美化、谴责或轻信”(第4页)。这也许可以解释为什么《续编》只有阿塔莱亚特斯历史的五分之一:斯凯利茨认为,他的目的是重新包装和消除原作者不必要的夸大或严厉意见。新版最受欢迎的特点之一是将Skylitzes Continutatus与Attaleiates和Zonaras记录的历史事件相互引用的一致性(第193-197页):这对希望对这些非常时期进行比较分析的学生和学者非常有用。同样具有相当价值的还有引言和详细的附注,它们用细致入微的解释和韵律信息阐明并告知读者。在引言中,麦吉尔对11世纪末的事件进行了详细的总结,强调了可能影响主要作者自己解释的领域,特别是1057年伊萨克一世·科姆内诺斯退位后的Doukoi Komnenoi竞争。图像的加入和对皇家印章的讨论引起了人们对一种经常被忽视的证据形式——象形文字的关注;这一点,再加上可供参考的韵律学索引(John Nesbitt),有助于读者通过提供和解释各种人物的等级和头衔来了解他们的背景。将Skylitzes Continuatus翻译成英语将极大地帮助对11世纪拜占庭世界感兴趣但无法阅读希腊原文的读者。麦吉尔和奈斯比特的这部作品值得高度赞扬,因为它揭开了难以接近的帷幕,让各级学者都有机会研究拜占庭历史上这一形成时期。
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来源期刊
BYZANTINE AND MODERN GREEK STUDIES
BYZANTINE AND MODERN GREEK STUDIES HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
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发文量
13
期刊介绍: Byzantine and Modern Greek Studies is an internationally recognised, peer-reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published twice a year in spring and autumn, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of Byzantine and Modern Greek scholarship, whether historical, literary or social-anthropological. It welcomes research, criticism, contributions on theory and method in the form of articles, critical studies and short notes.
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