{"title":"The Real Mrs. Maisel: Jean Carroll, the First Jewish Female Stand-Up Comedian","authors":"G. Overbeke","doi":"10.1353/sho.2021.0040","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This essay argues that Jean Carroll, America's first Jewish female stand-up comedian, constitutes a key figure in the history of Jewish performance because she embodied a new model of Jewish femininity in comedy, transforming the emerging genre of \"stand-up comedy\" from one that reinscribed and circulated negative stereotypes of Jewish women to one that revised and humanized these stereotypes. As pioneers of modern stand-up comedy like Henny Youngman marked the genre with misogynistic accounts of Jewish women as backward and unsympathetically demanding, Carroll provided an alternate representation that captured a more assimilated, sophisticated, and sympathetic Jewess. Her performances on mainstream stages were coded, drawing on stereotypes of Jewish women circulated by her Jewish male colleagues, but humanizing them using a new style of \"confidant comedy\" that leveraged the intimacy of her informal, conversational delivery.","PeriodicalId":21809,"journal":{"name":"Shofar: An Interdisciplinary Journal of Jewish Studies","volume":"39 1","pages":"154 - 180"},"PeriodicalIF":0.2000,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shofar: An Interdisciplinary Journal of Jewish Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sho.2021.0040","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT:This essay argues that Jean Carroll, America's first Jewish female stand-up comedian, constitutes a key figure in the history of Jewish performance because she embodied a new model of Jewish femininity in comedy, transforming the emerging genre of "stand-up comedy" from one that reinscribed and circulated negative stereotypes of Jewish women to one that revised and humanized these stereotypes. As pioneers of modern stand-up comedy like Henny Youngman marked the genre with misogynistic accounts of Jewish women as backward and unsympathetically demanding, Carroll provided an alternate representation that captured a more assimilated, sophisticated, and sympathetic Jewess. Her performances on mainstream stages were coded, drawing on stereotypes of Jewish women circulated by her Jewish male colleagues, but humanizing them using a new style of "confidant comedy" that leveraged the intimacy of her informal, conversational delivery.