The Primal Archetypal and Mythical Crone in Toni Morrison’s Portrayals of the Elder Woman

IF 0.5 Q3 WOMENS STUDIES Feminismos Pub Date : 2022-07-15 DOI:10.14198/fem.2022.40.05
Manuela López-Ramírez
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Abstract

Morrison’s portrayals of the elderly woman resonate with images of the wise mythical Crone, a universal image embedded in our consciousness. In pre-patriarchal societies, elder women, Crones, were associated with both life and death. The advent of patriarchy changed how aging females were perceived and their societal roles. They were diabolized, disempowered, and regarded as useless and invisible. However, Morrison’s Crones are strong life forces, and an active valuable part of their communities. Morrison revalues their traditional maternal domestic roles, and motherhood and household become, respectively, a transgressive act and a site of resistance and power. With their ancestral spiritual/supernatural/healing properties, her Crones are ancestor figures and moral beacons for their communities. In her oeuvre, Morrison reassesses and reclaims the primordial pre-patriarchal crone archetype to empower and honor old black women and their contributions to the black community.
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托尼·莫里森老年女性形象中的原始原型与神话克朗
莫里森对这位老妇人的描绘与睿智的神话人物克朗的形象产生了共鸣,克朗是一个嵌入我们意识中的普遍形象。在父权制之前的社会中,年长的女性克朗斯与生和死都有联系。父权制的出现改变了人们对老龄女性的看法及其社会角色。他们被妖魔化了,被剥夺了权力,被认为是无用的和看不见的。然而,莫里森的克朗是强大的生命力,也是他们社区中积极而有价值的一部分。莫里森重新评价了她们传统的母性家庭角色,母性和家庭分别成为一种越轨行为和反抗和权力的场所。凭借其祖先的精神/超自然/治愈特性,她的克朗是他们社区的祖先人物和道德灯塔。在她的作品中,Morrison重新评估并再现了父权制之前的原始亲信原型,以赋予老年黑人女性权力并向她们致敬,以及她们对黑人社区的贡献。
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发文量
27
审稿时长
24 weeks
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