In Bartók’s Footsteps A Folk Music Research Series Among Turkic People (1936–2019)

IF 0.1 3区 艺术学 Q4 Arts and Humanities Studia Musicologica Pub Date : 2020-10-21 DOI:10.1556/6.2019.00015
J. Šipoš
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Abstract

The Hungarian language belongs to the Finno-Ugric linguistic family, but several pre-Conquest strata of Hungarian folk music are connected to Turkic groups. Intrigued by this phenomenon, Hungarian folk music researchers launched thorough comparative examinations. Investigations authenticated by fieldwork have also been ongoing to the present day, parallel to theoretical research. Initially, the main goal was to explore the eastern relations of Hungarian folk music, which gradually broadened into the areal research of the Volga-Kama-Belaya region. I further expanded this work to encompass the comparative investigation of Turkic-speaking groups living over the vast Eurasian territory. This paper provides a summary of the findings of this field research examining the folk music of Anatolian Turk, Azeri, Karachay, Kazakh, Turkmen, Uzbek and Kyrgyz people. I briefly describe the sources, the fieldwork, the methods of processing the collected material, and most interestingly, I summarize new findings. After providing an overview of traditional songs of several Turkic peoples, selected results are provided in three tables: 1) a grouping of Turkic folk-music repertoires; 2) Turkic parallels to Hungarian folk music styles; and 3) the current state of Turkic folk music research conducted by Hungarian scholars.
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在Bartók的足迹中——突厥人民间音乐研究系列(1936–2019)
匈牙利语属于芬诺-乌戈尔语系,但征服前匈牙利民间音乐的几个阶层都与突厥语群体有关。匈牙利民间音乐研究者被这一现象所吸引,展开了深入的比较研究。通过实地调查证实的调查也一直在进行到今天,与理论研究平行。最初,主要目标是探索匈牙利民间音乐的东方关系,并逐渐扩展到伏尔加-卡马-贝拉亚地区的区域研究。我进一步扩展了这项工作,包括对生活在广阔欧亚领土上的突厥语群体的比较调查。本文对安纳托利亚突厥人、阿塞拜疆人、卡拉恰伊人、哈萨克人、土库曼人、乌兹别克人和吉尔吉斯人的民间音乐进行了实地研究。我简要地描述了来源、实地调查、处理收集材料的方法,最有趣的是,我总结了新的发现。在概述了几个突厥民族的传统歌曲后,在三个表中提供了选定的结果:1)一组突厥民间音乐曲目;2) 突厥语与匈牙利民间音乐风格相似;(3)匈牙利学者对突厥民族音乐的研究现状。
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Studia Musicologica
Studia Musicologica Arts and Humanities-Music
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