Patronage, Poetic Lineage, and Wordplay: A New Dedicatory Acronym in Vergil's Sixth Eclogue

IF 0.2 3区 历史学 0 CLASSICS Antichthon Pub Date : 2020-01-01 DOI:10.1017/ann.2020.5
Frances M. Bernstein
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引用次数: 1

Abstract

Abstract This article identifies and defends a previously unobserved dedicatory acronym to Maecenas in the second half of Ecl. 6.69 (MAEC- in reverse: Calamos, En Accipe, Musae) and contextualizes the specific linguistic choices and central themes of that acronym within a broader network of Vergilian word games. I argue that the dedicatory acronym in Ecl. 6.69 shares linguistic and thematic features with numerous previously identified Vergilian word games, and that from this network of wordplay emerges a common discourse on poetic lineage, genre, and patronage. An awareness of this network of wordplay in Vergil's corpus provides a starting point for a more comprehensive and nuanced interpretation both of individual Vergilian word games and of Vergilian wordplay as a general phenomenon. On a literary level, the conclusions I draw from the MAEC- acronym and the relationship between wordplay and various thematic issues inform a clearer picture of generic shifts and expectations in Eclogue 6, the Eclogues in general, and Vergil's corpus more broadly, and contribute to an understanding of the subtle ways in which Vergil negotiates issues of patronage in his first collection.
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赞助,诗歌血统,和文字游戏:维吉尔第六牧歌的一个新的首字母缩略词
本文确定并捍卫了《Ecl. 6.69》下半部分中一个之前未被注意到的Maecenas的首字母缩略词(MAEC-反过来:Calamos, En Accipe, Musae),并将该首字母缩略词的具体语言选择和中心主题在更广泛的维吉亚文字游戏网络中进行了语境化。我认为《Ecl. 6.69》中的首字母缩略词与许多先前确定的维吉尔文字游戏具有相同的语言和主题特征,并且从这个文字游戏网络中出现了关于诗歌血统,体裁和赞助的共同话语。对维吉尔语料库中这种文字游戏网络的认识,为更全面、更细致地解释维吉尔文字游戏和维吉尔文字游戏作为一种普遍现象提供了一个起点。在文学层面上,我从MAEC-首字母缩略词以及文字游戏与各种主题问题之间的关系中得出的结论,更清晰地揭示了牧歌第6章、牧歌总集和维吉尔的语料库中普遍的变化和期望,并有助于理解维吉尔在他的第一部文集中协商赞助问题的微妙方式。
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Antichthon
Antichthon CLASSICS-
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