One Sinister Hurricane: Simondon and Collaborative Visualization

Keith Woodward, J. Jones, Linda Vigdor, S. Marston, H. Hawkins, D. Dixon
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引用次数: 16

Abstract

This article offers a theory and methodology for understanding and interpreting collaborations that involve visualization technologies. The collaboration discussed here is technically a geovisualization—an immersive, digital “fulldome” film of Hurricane Katrina developed by the Advanced Visualization Laboratory (AVL) at the University of Illinois at Urbana–Champaign, produced in collaboration with atmospheric scientists at the National Center for Atmospheric Research (NCAR) in Boulder, Colorado. The project, which brought together AVL's programmers, visualization experts, and artists with NCAR's scientists, required the integration of diverse disciplinary perspectives. In the language of such collaborations, the term renaissance team was coined to capture the collective expertise necessary to produce modern, high-end visualizations of large data sets. In this article, we deploy Simondon's concepts of technical objects and collective individuation to analyze the development of AVL's Katrina simulation. One extended sequence of team member collaboration suggests that technical objects also be treated as “collaborators,” for they have the capacity to transform such collectives through the unique problems they present.
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一场邪恶的飓风:西蒙顿和协作可视化
本文为理解和解释涉及可视化技术的协作提供了理论和方法。这里讨论的合作从技术上讲是一种地理可视化——一种沉浸式的、由伊利诺伊大学厄巴纳-香槟分校的高级可视化实验室(AVL)与科罗拉多州博尔德市国家大气研究中心(NCAR)的大气科学家合作开发的卡特里娜飓风的数字“全景”电影。这个项目汇集了AVL的程序员、可视化专家、艺术家和NCAR的科学家,需要整合不同学科的观点。在这种合作的语言中,术语“复兴团队”被创造出来,以捕获生产大型数据集的现代高端可视化所需的集体专业知识。在本文中,我们运用Simondon的技术对象和集体个性化的概念来分析AVL的卡特里娜模拟的发展。团队成员协作的一个扩展序列表明,技术对象也被视为“合作者”,因为它们有能力通过它们所呈现的独特问题来转换这样的集体。
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