Visual Geo-Literary and Historical Analysis, Tweetflickrtubing, and James Joyce's Ulysses (1922)

C. Travis
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引用次数: 15

Abstract

Situated at the intersection of the arts and sciences, Humanities GIS (HumGIS) are contributing to new knowledge systems emerging in the digital, spatial, and geo-humanities. This article discusses the conceptualization and operationalization of two HumGIS models engaging the cartographical and discursive tools employed by James Joyce to compose Ulysses ([1922] 1992). The first model is used to perform a visual geo-literary historical analysis by transposing Homeric and Dantean topologies on a spatialized narrative of Joyce's work. The second model integrates Ulysses within a social media map to interpret Bloomsday 2014 digital ecosystem spatial performances in Dublin and globally. This article suggests that HumGIS models reflecting human contingency, idiosyncrasy, and affect, drawing on literary, historical, and social media tools, sources, and perceptions, might offer GIScience, neogeography, and big data studies alternative spatial framings and modeling scenarios.
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视觉地理文学和历史分析,tweetflickr油管和詹姆斯·乔伊斯的《尤利西斯》(1922)
人文地理信息系统(HumGIS)位于艺术与科学的交叉点,正在为数字、空间和地理人文领域出现的新知识系统做出贡献。本文讨论了两个HumGIS模型的概念化和可操作性,这些模型采用了詹姆斯·乔伊斯在创作《尤利西斯》([1922]1992)时使用的制图和话语工具。第一个模型是通过对乔伊斯作品的空间化叙事进行荷马式和但丁式的拓扑转换,来进行视觉的地理文学历史分析。第二个模型将尤利西斯整合到社交媒体地图中,以解释2014年布鲁姆斯日在都柏林和全球的数字生态系统空间表现。本文认为,利用文学、历史和社交媒体工具、资源和感知,反映人类偶然性、特质和影响的HumGIS模型可能为地理信息科学、新地理学和大数据研究提供替代的空间框架和建模场景。
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