Unashamed Citizenship: Activist Voices in Scandinavia

Elisabeth Oxfeldt
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An article on institutional racism in the Nordic countries in the Harvard Political Review recently maintained that the Nordic countries are the happiest and the most racist in the EU, with Finland in particular scoring high on discrimination based on “ethnic or immigrant background” (Kataja, 2020). The illusion of Nordic exceptionalism must be broken, and “those who do not have to experience racism themselves must try to consider how others experience it,” Finnish politician Vesa Puuronen urges. There are various ways of communicating the experience of racism, oppression, exclusion, and minoritization. This Special Issue on Unashamed Citizenship: Activist Voices in Scandinavia explores contemporary Scandinavian feminists raising their voices against racism as they experience harassment and exclusion due to immigrant or indigenous Sámi backgrounds. These are counter-narratives and alternative scripts negating the official story of the countries being just, democratic, and non-racist. They seek to change both majority and minority opinion, attitudes, and behaviour, whether they be written from the position of diaspora groups such as the Norwegian Pakistanis or by and about indigenous groups such as the Sámi. The material in focus in this special issue is first and foremost literature considered in various ways as literary activism. This literature constitutes a particularly salient form of communication, allowing for in-depth reflection and emotional involvement on the part of the author as well as the reader, with genres ranging from non-fictional autobiographies, testimonials, memoirs and essays, to fictionalized forms such as the novel. The texts can furthermore be more or less poetic, including conceptual poetry. While expressing the voice of an individual author at a particular time and place, they always function in a greater context of collective voices, from a contemporary, historic, intermedial, and transmedial point of view. 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Abstract

The Scandinavian countries have a reputation of being happy, egalitarian, and progressive. They have topped the United Nations’ world-happiness rankings since they were first compiled and published in 2012; they are among the most gender equal countries in the world; they are also among the most democratic nations in the world. Measures of well-functioning democracies include politically engaged citizens who vote and “play fair” as well as “an emphasis on preserving civil liberties and personal freedoms of both the majority and minorities” (ibid.) However, despite the countries’ good reputation and high international rankings, minoritized people in Scandinavia continually have to fight against racism as well as gender-based prejudice. An article on institutional racism in the Nordic countries in the Harvard Political Review recently maintained that the Nordic countries are the happiest and the most racist in the EU, with Finland in particular scoring high on discrimination based on “ethnic or immigrant background” (Kataja, 2020). The illusion of Nordic exceptionalism must be broken, and “those who do not have to experience racism themselves must try to consider how others experience it,” Finnish politician Vesa Puuronen urges. There are various ways of communicating the experience of racism, oppression, exclusion, and minoritization. This Special Issue on Unashamed Citizenship: Activist Voices in Scandinavia explores contemporary Scandinavian feminists raising their voices against racism as they experience harassment and exclusion due to immigrant or indigenous Sámi backgrounds. These are counter-narratives and alternative scripts negating the official story of the countries being just, democratic, and non-racist. They seek to change both majority and minority opinion, attitudes, and behaviour, whether they be written from the position of diaspora groups such as the Norwegian Pakistanis or by and about indigenous groups such as the Sámi. The material in focus in this special issue is first and foremost literature considered in various ways as literary activism. This literature constitutes a particularly salient form of communication, allowing for in-depth reflection and emotional involvement on the part of the author as well as the reader, with genres ranging from non-fictional autobiographies, testimonials, memoirs and essays, to fictionalized forms such as the novel. The texts can furthermore be more or less poetic, including conceptual poetry. While expressing the voice of an individual author at a particular time and place, they always function in a greater context of collective voices, from a contemporary, historic, intermedial, and transmedial point of view. In terms of history, they build on previous texts, often through intertextual quotations used directly in the texts or paratextually in titles, epigraphs, epilogs, etc. They can also link to previous texts through direct mention of inspirational works or, conversely, through critical reflection on formative readings (see articles by Malmio and Vold). Or they can reflect on earlier reading through remedialization of texts, communicating, and leading to, new framings of these texts and the people and events they depict (see articles by Allouche and Malmio). Intertextual relations illustrate how the individual relies on previous discourses and storytelling to understand and recount her own life story. At the same time, the ambition of joining a choir of voices is to add a new voice that may not just strengthen a claim, but also further nuance it. This often occurs in an intersectional manner, as in the case of the Sámi fighting against Scandinavian majority populations for recognition and rights as an indigenous group while also battling internal gender discrimination and homophobia (see articles by Bakken, Bjerknes, and Brovold). Younger feminist activists, especially, tend to use several media, not least internet-based media, which has notably become one of the characteristics of what some refer to as fourth-wave feminism (Munro, 2013). They may NORA—NORDIC JOURNAL OF FEMINIST AND GENDER RESEARCH 2023, VOL. 31, NO. 2, 109–116 https://doi.org/10.1080/08038740.2023.2207310
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无耻的公民:斯堪的纳维亚的活动家之声
斯堪的纳维亚国家以幸福、平等和进步而闻名。自2012年联合国首次编制和发布全球幸福指数以来,这些国家一直高居榜首;他们是世界上性别最平等的国家之一;他们也是世界上最民主的国家之一。衡量运作良好的民主国家的标准包括参与政治的公民投票和“公平竞争”,以及“强调保护多数人和少数人的公民自由和个人自由”(同上)。然而,尽管这些国家享有良好的声誉和很高的国际排名,斯堪的纳维亚半岛的少数民族仍然不得不不断地与种族主义和性别偏见作斗争。《哈佛政治评论》最近发表的一篇关于北欧国家制度性种族主义的文章认为,北欧国家是欧盟中最幸福、种族主义最严重的国家,尤其是芬兰在基于“种族或移民背景”的歧视方面得分最高(Kataja, 2020)。必须打破北欧例外主义的幻想,“那些自己没有经历过种族主义的人必须努力考虑其他人是如何经历的,”芬兰政治家维萨·普罗宁(Vesa Puuronen)敦促道。有各种各样的方式来传达种族主义、压迫、排斥和少数民族的经历。本期《无耻的公民身份:斯堪的纳维亚的活动家之声》特刊探讨了当代斯堪的纳维亚的女权主义者,她们在经历移民或土著Sámi背景的骚扰和排斥时,提出了反对种族主义的声音。这些是反叙事和替代剧本,否定了这些国家公正、民主和非种族主义的官方故事。他们试图改变多数人和少数人的意见、态度和行为,无论是从挪威巴基斯坦人等散居群体的立场出发,还是由Sámi等土著群体撰写。本期特刊关注的材料首先是文学,以各种方式被认为是文学激进主义。这种文学构成了一种特别突出的交流形式,允许作者和读者进行深入的反思和情感参与,其类型包括非虚构的自传,感言,回忆录和散文,以及小说等虚构形式。此外,这些文本或多或少具有诗意,包括概念诗。从当代、历史、中间和跨媒介的角度来看,它们在表达特定时间和地点的个体作者的声音时,总是在集体声音的更大背景下发挥作用。就历史而言,它们以以前的文本为基础,通常通过直接在文本中使用的互文引用或在标题,铭文,后记等中使用的准文本。他们也可以通过直接提到鼓舞人心的作品来链接到以前的文本,或者相反,通过对形成性阅读的批判性反思(参见Malmio和Vold的文章)。或者,他们可以通过文本的补救、交流和引导,对这些文本及其所描绘的人物和事件的新框架进行反思(参见Allouche和Malmio的文章)。互文关系说明个体如何依赖先前的话语和讲故事来理解和叙述自己的生活故事。与此同时,加入唱诗班的目标是增加一种新的声音,这种声音不仅可以加强一种主张,还可以进一步使其变得微妙。这通常以交叉的方式发生,例如Sámi反对斯堪的纳维亚多数人口作为土著群体的承认和权利,同时也反对内部的性别歧视和同性恋恐惧症(参见Bakken, Bjerknes和Brovold的文章)。尤其是年轻的女权主义者,倾向于使用几种媒体,尤其是基于互联网的媒体,这已经明显成为一些人所说的第四波女权主义的特征之一(Munro, 2013)。《北欧女性主义与性别研究》,第2023卷,第31期。2,109 - 116 https://doi.org/10.1080/08038740.2023.2207310
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CiteScore
2.70
自引率
14.30%
发文量
27
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