The Yakut Folk Song: A Brief Ethnographic-Musical Sketch

Q3 Arts and Humanities Anthropology and Archeology of Eurasia Pub Date : 2016-01-02 DOI:10.1080/10611959.2016.1263484
E. Alekseyev
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引用次数: 1

Abstract

The author reviews the many genres of Yakut (Sakha) folk music, arguing that its richness is illustrated through the vitality and adaptability of song [toyuk], epos [olonkho], prayer [algys], and improvisational circle dance chanting [okhuokhai]. Some traditionally multi-media and multi-vocal forms, such as shamanic dramas and full-length epic singing, have been rechanneled, with their creative spirit being inherited by the most varied manifestations of Yakut artistic culture—words, painting, and music.
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雅库特民歌:一个简短的民族志音乐小品
作者回顾了雅库特(萨哈)民族音乐的许多流派,认为其丰富性是通过歌曲[toyuk],史诗[olonkho],祈祷[algys]和即兴圆圈舞吟诵[okhuokhai]的活力和适应性来说明的。一些传统的多媒体和多声音形式,如萨满戏剧和长篇史诗歌唱,被重新引导,其创作精神被雅库特艺术文化中最多样化的表现形式-文字,绘画和音乐所继承。
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来源期刊
Anthropology and Archeology of Eurasia
Anthropology and Archeology of Eurasia Arts and Humanities-History
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期刊介绍: Anthropology and Archeology of Eurasia presents scholarship from Russia, Siberia, the Caucasus, and Central Asia, the vast region that stretches from the Baltic to the Black Sea and from Lake Baikal to the Bering Strait. Each thematic issue, with a substantive introduction to the topic by the editor, features expertly translated and annotated manuscripts, articles, and book excerpts reporting fieldwork from every part of the region and theoretical studies on topics of special interest.
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