LIVING WITH IMAGES FROM LARGE-SCALE DATA SETS: A CRITICAL PEDAGOGY FOR SCALING DOWN

Gabriel Pereira, Bruno Moreschi
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Abstract

The emergence of contemporary computer vision coincides with the growth and dissemination of large-scale image data sets. The grandeur of such image collections has raised fascination and concern. This article critically interrogates the assumption of scale in computer vision by asking: What can be gained by scaling down and living with images from large-scale data sets? We present results from a practice-based methodology: an ongoing exchange of individual images from data sets with selected participants. The results of this empirical inquiry help to consider how a durational engagement with such images elicits profound and variously situated meanings beyond the apparent visual content used by algorithms. We adopt the lens of critical pedagogy to untangle the role of data sets in teaching and learning, thus raising two discussion points: First, regarding how the focus on scale ignores the complexity and situatedness of images, and what it would mean for algorithms to embed more reflexive ways of seeing; Second, concerning how scaling down may support a critical literacy around data sets, raising critical consciousness around computer vision. To support the dissemination of this practice and the critical development of algorithms, we have produced a teaching plan and a tool for classroom use.
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与来自大规模数据集的图像一起生活:缩小规模的关键教学法
当代计算机视觉的出现恰逢大规模图像数据集的增长和传播。这些宏伟的图像收藏引起了人们的兴趣和关注。本文通过以下问题对计算机视觉中的尺度假设进行了批判性的质疑:从大规模数据集中缩小和处理图像可以获得什么?我们提出了一种基于实践的方法的结果:与选定的参与者进行数据集中个人图像的持续交换。这一实证调查的结果有助于考虑与这些图像的持续接触如何引发算法所使用的明显视觉内容之外的深刻和不同的意义。我们采用批判教育学的视角来梳理数据集在教学和学习中的作用,从而提出两个讨论点:第一,关于对尺度的关注如何忽视了图像的复杂性和情境性,以及算法嵌入更多反射性的观看方式意味着什么;其次,关于缩小规模如何支持对数据集的批判性素养,提高对计算机视觉的批判性意识。为了支持这种实践的传播和算法的关键发展,我们制作了一个教学计划和一个课堂使用的工具。
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来源期刊
Photographies
Photographies Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
0.00%
发文量
25
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