John Steinbeck

IF 0.6 3区 文学 0 LITERATURE, AMERICAN AMERICAN LITERATURE Pub Date : 2022-01-12 DOI:10.1093/obo/9780199827251-0225
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Abstract

John Steinbeck’s life was framed by global conflict. Born on 27 February 1902, in Salinas, California, he was twelve years old when World War I began and sixteen when Germany and the Allies signed an armistice bringing to cessation the “War to End All Wars.” Unfortunately, World War II began in 1939. Echoes of the rise of Adolf Hitler and threats of war occur throughout his early works, as in the journals accompanying The Grapes of Wrath (1939), in which he writes of the angst of his times, fearing the inevitably approaching conflict. When World War II came, he became involved in the wartime efforts, working as a correspondent for the New York Herald Tribune and experiencing the London Blitz, with sixty-six of his eighty-five dispatches gathered in Once There Was a War (1958). Recognizing Steinbeck’s expertise as a writer and desiring to enlist public support, the government commissioned him to write Bombs Away (1942), an account of a bomber team and its specially equipped plane. Hence, he observed American airmen as they trained and went into battle, flying on forays with them. Similarly, during the Vietnam War Newsday hired him as a war correspondent, and again he went to the front and into battle with the enlisted men, with his accounts collected in Letters to Alicia (1965). On the home front, the San Francisco News commissioned him to report on Dust Bowl migrants working as harvesters in California. Incensed by what he witnessed—the specter of starvation, babies and children dying, and malnutrition taking a toll on the very humanity of the migrants—he wrote The Harvest Gypsies (1936), background for The Grapes of Wrath. An early ecologist, Steinbeck loved the land, depicting the earth as a living, sensate character in The Grapes of Wrath—an elegiac mourning over its the desecration. Later, his nonfiction America and Americans (1966) decried pollution and the felling of redwood trees. Looking into the future with some hope but much trepidation, this work also addressed ethnic and racial prejudices, questionable politics, ageism and sexism, loss of ethical moorings. Believing his country to be infested with a deadly immorality, he warned Americans to root out this cancerous growth in order to survive. His last work of fiction, The Winter of Our Discontent (1961), carried these same concerns, with protagonist Ethan Allen Hawley portrayed as an Every American, who must rise above his failings. John Steinbeck died 20 December 1968, of congestive heart failure.
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约翰·斯坦贝克
约翰·斯坦贝克的一生笼罩在全球冲突之中。1902年2月27日出生在加州萨利纳斯,第一次世界大战爆发时他12岁,德国和盟国签署停战协议结束“结束所有战争的战争”时他16岁。不幸的是,第二次世界大战于1939年爆发。阿道夫·希特勒的崛起和战争的威胁在他的早期作品中随处可见,比如在《愤怒的葡萄》(1939)的随笔中,他写下了他那个时代的焦虑,担心不可避免的冲突即将到来。当第二次世界大战爆发时,他参与了战时的努力,作为《纽约先驱论坛报》的记者,经历了伦敦闪电战,他的85篇报道中有66篇汇集在《曾经有过一场战争》(1958)中。认识到斯坦贝克作为作家的专业知识,并希望获得公众的支持,政府委托他写炸弹离开(1942),一个轰炸机队和特殊装备的飞机的叙述。因此,他观察美国飞行员训练和投入战斗,与他们一起飞行。同样,在越南战争期间,《新闻日报》聘请他担任战地记者,他再次前往前线,与士兵一起作战,他的记录被收录在《致艾丽西亚的信》(1965)中。在国内,《旧金山新闻报》委托他报道在加州从事收割工作的尘暴区移民。饥饿的幽灵,婴儿和儿童的死亡,营养不良对移民的人性造成了严重的影响,这让他感到愤怒,他写了《收获的吉普赛人》(1936),这是《愤怒的葡萄》的背景。作为一名早期的生态学家,斯坦贝克热爱土地,在《愤怒的葡萄》中,他把地球描绘成一个活生生的、感性的人物——一首哀悼大地被亵渎的挽歌。后来,他的非虚构作品《美国和美国人》(1966)谴责了污染和砍伐红杉树。这部作品展望未来,充满希望,但也充满不安,它还探讨了民族和种族偏见、可疑的政治、年龄歧视和性别歧视,以及道德基础的丧失。他相信他的国家充斥着致命的不道德行为,他警告美国人要根除这种恶性生长才能生存。他的最后一部小说《我们不满的冬天》(1961年)也表达了同样的担忧,主人公伊桑·艾伦·霍利被描绘成一个必须克服失败的普通美国人。约翰·斯坦贝克于1968年12月20日死于充血性心力衰竭。
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来源期刊
AMERICAN LITERATURE
AMERICAN LITERATURE LITERATURE, AMERICAN-
CiteScore
0.60
自引率
20.00%
发文量
27
期刊介绍: American Literature has been regarded since its inception as the preeminent periodical in its field. Each issue contains articles covering the works of several American authors—from colonial to contemporary—as well as an extensive book review section; a “Brief Mention” section offering citations of new editions and reprints, collections, anthologies, and other professional books; and an “Announcements” section that keeps readers up-to-date on prizes, competitions, conferences, grants, and publishing opportunities.
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