{"title":"A Preliminary Study of the History of Sephardic Theatre in Italy","authors":"Ilaria Briata","doi":"10.1163/18750214-12171088","DOIUrl":null,"url":null,"abstract":"\nThis article presents the results of a preliminary inquiry into the theatrical activity of Sephardic Jews in Italy from 1492 to the 18th century. Through archival investigation conducted on catalogues of manuscripts and published books from Italian libraries, as well as on documents produced by Sephardic communities, the study focuses on three case studies: the communities in Venice, Naples, and Tuscany. Concerning the Venetian community, literary witnesses to the dramatic activity in the Ghetto are collected and analyzed, including Ester by Salomon Usque and Leon Modena. Concerning the Neapolitan community, the reasons for the absence of Sephardic cultural traces are clarified. The only extant Judeo-Spanish plays produced in Italy come from Pisa and Livorno, testifying to the prolific activity of Iberian Jews in Tuscany. Finally, a list of Hebrew dramatic works written by Italian authors of Sephardic origin is provided in order to reflect on the very categories of ‘Sephardic’ and ‘Italian.’","PeriodicalId":40667,"journal":{"name":"Zutot","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zutot","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18750214-12171088","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
This article presents the results of a preliminary inquiry into the theatrical activity of Sephardic Jews in Italy from 1492 to the 18th century. Through archival investigation conducted on catalogues of manuscripts and published books from Italian libraries, as well as on documents produced by Sephardic communities, the study focuses on three case studies: the communities in Venice, Naples, and Tuscany. Concerning the Venetian community, literary witnesses to the dramatic activity in the Ghetto are collected and analyzed, including Ester by Salomon Usque and Leon Modena. Concerning the Neapolitan community, the reasons for the absence of Sephardic cultural traces are clarified. The only extant Judeo-Spanish plays produced in Italy come from Pisa and Livorno, testifying to the prolific activity of Iberian Jews in Tuscany. Finally, a list of Hebrew dramatic works written by Italian authors of Sephardic origin is provided in order to reflect on the very categories of ‘Sephardic’ and ‘Italian.’
期刊介绍：
Zutot: Perspectives on Jewish Culture aims to fill a gap that has become more and more conspicuous among the wealth of scholarly periodicals in the field of Jewish Studies. Whereas existing journals provide space to medium and large sized articles, they neglect the small but poignant contributions, which may be as important as the extended, detailed study. The Zutot serves as a platform for small but incisive contributions, and provides them with a distinct context. The substance of these contributions is derived from larger perspectives and, though not always presented in an exhaustive way, will have an impact on contemporary discussions. The Zutot covers Jewish culture in its broadest sense, i.e. encompassing various academic disciplines—literature, languages and linguistics, philosophy, art, sociology, politics and history—and reflects binary oppositions such as religious and secular, high and low, written and oral, male and female culture.
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