From zones to Zoom: Shakespeare on screen in the digital era

IF 0.2 2区 文学 0 LITERATURE, BRITISH ISLES CAHIERS ELISABETHAINS Pub Date : 2021-07-01 DOI:10.1177/01847678211008362
S. Hatchuel, Nathalie Vienne-Guerrin
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引用次数: 1

Abstract

This introduction explores the consequences of the digital revolution on the production, distribution, dissemination, and study of Shakespeare on screen. Since the end of the 20th century, the rise (and fall) of the DVD, the digitalisation of sounds and images allowing us to experience and store films on our computers, the spreading of easy filming/editing tools, the live broadcasts of theatre performances in cinemas or on the Internet, the development of online archives and social media, as well as the globalisation of production and distribution have definitely changed the ways Shakespeare on screen is (re)created, consumed, shared, and examined.
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从区域到变焦:数字时代银幕上的莎士比亚
这篇导论探讨了数字革命对银幕上莎士比亚作品的制作、发行、传播和研究的影响。自20世纪末以来,DVD的兴起(和衰落),声音和图像的数字化使我们能够在电脑上体验和存储电影,简单的拍摄/编辑工具的传播,影院或互联网上戏剧表演的现场直播,在线档案和社交媒体的发展,以及制作和发行的全球化,绝对改变了莎士比亚在屏幕上被(重新)创作、消费、分享的方式,和检查。
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来源期刊
CAHIERS ELISABETHAINS
CAHIERS ELISABETHAINS LITERATURE, BRITISH ISLES-
CiteScore
0.30
自引率
20.00%
发文量
39
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