Selecting repertoire for music teaching: Findings from Norwegian schools of music and arts

S. Nielsen, Anne Jordhus-Lier, S. Karlsen
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引用次数: 3

Abstract

In 1997, Norway became the first country to make statutory provision for schools of music and arts requiring every municipality to run such a school. Based on an explicit vision of “schools of music and arts for everyone,” the aim is to provide music education for all children, regardless of social and economic background. Despite their statutory status, there are no official documents regulating the teaching content. The schools have an advisory curriculum framework, but as this framework barely mentions musical genres, teachers are free to choose content and modes of instruction. In this article, we address the following research questions: What kinds of music are used as teaching content in the schools of music and arts? Who, and what, decide which music is used? We report the findings from a survey of music teachers (N = 151) working in schools of music and arts that were selected using a quota sampling strategy. The survey questionnaire comprised both structured and open-ended questions. We found that while the teaching content encompasses a wide range of musical genres and styles, various styles of popular music predominate. Moreover, the teachers’ own choice of music was altogether the most prominent option, along with other categories involving teacher-led decisions. Our findings also suggest that the teachers’ own preferences and taste in music had a certain impact on the content used. However, the students’ and teachers’ influence on the teaching content seems to vary with the musical style/genre being taught. Students’ preferences were emphasized to a higher degree when teaching popular music, while the teachers decided what music to play more often when teaching art music/classical music. The findings are discussed against Kallio’s ideas of the school censorship frame, and the authors argue that the wider cultural-musical heritage seems to be a strong force when making decisions about teaching content.
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选择音乐教学曲目:来自挪威音乐和艺术学校的调查结果
1997年,挪威成为第一个为音乐和艺术学校制定法定规定的国家,要求每个市政当局经营这样一所学校。基于“为所有人提供音乐和艺术学校”的明确愿景,其目标是为所有儿童提供音乐教育,无论其社会和经济背景如何。尽管它们具有法定地位,但没有官方文件规范教学内容。学校有一个咨询课程框架,但由于这个框架几乎没有提到音乐类型,教师可以自由选择教学内容和教学方式。在这篇文章中,我们讨论了以下的研究问题:什么样的音乐被用作音乐和艺术学校的教学内容?是谁,又是什么来决定使用哪种音乐?我们报告了对在音乐和艺术学校工作的音乐教师(N = 151)的调查结果,这些教师是使用配额抽样策略选择的。调查问卷包括结构化和开放式问题。我们发现,虽然教学内容涵盖了广泛的音乐流派和风格,但各种流行音乐风格占主导地位。此外,教师自己选择的音乐是最突出的选择,以及其他涉及教师主导决策的类别。我们的研究结果还表明,教师自己的音乐偏好和品味对使用的内容有一定的影响。然而,学生和教师对教学内容的影响似乎随着所教授的音乐风格/流派而变化。在流行音乐教学中,学生的喜好被强调的程度更高,而在艺术音乐/古典音乐教学中,教师决定更多的是演奏什么音乐。这些发现与Kallio关于学校审查框架的观点进行了讨论,作者认为,在决定教学内容时,更广泛的文化音乐遗产似乎是一种强大的力量。
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来源期刊
CiteScore
3.00
自引率
37.50%
发文量
37
期刊介绍: Research Studies in Music Education is an internationally peer-reviewed journal that promotes the dissemination and discussion of high quality research in music and music education. The journal encourages the interrogation and development of a range of research methodologies and their application to diverse topics in music education theory and practice. The journal covers a wide range of topics across all areas of music education, and a separate "Perspectives in Music Education Research" section provides a forum for researchers to discuss topics of special interest and to debate key issues in the profession.
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