Tradition Bearers as Educators: A Multi-Case Study of the Teaching Behaviors and Beliefs of Three Old-Time Musicians

Q1 Arts and Humanities String Research Journal Pub Date : 2014-07-01 DOI:10.1177/194849921400500004
Christen Blanton, Mark A. Dillon, R. MacLeod
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引用次数: 4

Abstract

The purpose of this study was to examine the teaching behaviors and beliefs of three “tradition bearers” of old-time music: Alice Gerrard, Tom Sauber, and Lightnin’ Wells. The three teachers were selected based on their extensive careers as performers of old-time and folk music, and their reputations as teachers of old-time and folk music. Data were collected at the Swannanoa Gathering at Warren Wilson College in Asheville, North Carolina, and included 18 hours of video data, personal interviews, and field notes. Coding of the video revealed three main themes in the tradition bearers’ teaching: (1) Demonstration: use of recordings, teacher performance at tempo, teacher performance at reduced tempo, and co-verbal demonstration, (2) Verbal Instruction: verbal explanation, discussion, feedback, and story telling and (3) Group Play: whole group macro, whole group micro, and isolated play. Throughout the interviews, the tradition bearers shared their beliefs about teaching old-time music, the differences between they way they teach compared to how they learned, their goals for students, and their opinions about the role of tradition bearers in the education of old-time musicians.
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作为教育者的传统承担者:三位古代音乐家教学行为与信仰的多案例研究
本研究的目的是检视三位传统音乐的传承者:Alice Gerrard、Tom Sauber和Lightnin ' Wells的教学行为与信念。这三位教师是根据他们作为古典音乐和民间音乐的表演者的广泛职业以及他们作为古典音乐和民间音乐教师的声誉而被选中的。数据是在北卡罗来纳州阿什维尔沃伦威尔逊学院的斯瓦纳诺亚聚会上收集的,包括18小时的视频数据、个人采访和现场记录。视频编码揭示了传统承载者教学的三个主要主题:(1)演示:录音使用、教师慢速表演、教师慢速表演、共同语言演示;(2)口头教学:口头解释、讨论、反馈、讲故事;(3)群体游戏:整体群体宏观、整体群体微观、孤立游戏。在整个采访过程中,传统传承人分享了他们对传统音乐教学的看法,他们的教学方式与他们的学习方式之间的差异,他们对学生的目标,以及他们对传统传承人在传统音乐家教育中的作用的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
String Research Journal
String Research Journal Arts and Humanities-History
CiteScore
0.40
自引率
0.00%
发文量
9
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