Implication and Omission in Ernest Hemingway’s (Hills Like White Elephants), Raymond Carver’s (Why Don’t you Dance), Richard Ford’s (Great Falls) and Bobbie Ann Mason’s (Shiloh)
{"title":"Implication and Omission in Ernest Hemingway’s (Hills Like White Elephants), Raymond Carver’s (Why Don’t you Dance), Richard Ford’s (Great Falls) and Bobbie Ann Mason’s (Shiloh)","authors":"Boudjerida , Messaouda","doi":"10.12816/0058313","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":33540,"journal":{"name":"lkhTb","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"lkhTb","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12816/0058313","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
