O Sech’ang’s Compilation of Kŭnyŏk sŏhwa sa 槿域 書畵史 (History of Korean painting and calligraphy) and the Publication of Kŭnyŏk sŏhwa ching 槿域 書畵徵 (Biographical records of Korean painters and calligraphers)
Hong Jungsil Jenny Nathaniel Sunpyo, J. Lee, Nathaniel Kingdon
{"title":"O Sech’ang’s Compilation of Kŭnyŏk sŏhwa sa 槿域 書畵史 (History of Korean painting and calligraphy) and the Publication of Kŭnyŏk sŏhwa ching 槿域 書畵徵 (Biographical records of Korean painters and calligraphers)","authors":"Hong Jungsil Jenny Nathaniel Sunpyo, J. Lee, Nathaniel Kingdon","doi":"10.1353/AAA.2014.0002","DOIUrl":null,"url":null,"abstract":"The compilation of Kŭnyŏk sŏhwa sa 槿域書畵史 (History of Korean painting and calligraphy) by O Sech’ang 吳世昌 (1864–1953) in 1917 represents the first tangible achievement of a growing ‘‘national’’ and ‘‘independent’’ self-consciousness regarding Korean art history. When, in 1928, the manuscript was typeset and republished by the Kyemyŏng kurakpu 啓明俱樂部 (Enlightenment Club) and widely distributed by Ch’oe Namsŏn 崔南善 (1890–1957) under the new title Kŭnyŏk sŏhwa ching 槿域書畵徵 (Biographical records of Korean painters and calligraphers), it became the foundation for all future Korean art historical scholarship. This article aims to illuminate the art historical significance of this event through an investigation of the motivation for compiling Kŭnyŏk sŏhwa sa and for publishing Kŭnyŏk sŏhwa ching.","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2014-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AAA.2014.0002","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVES OF ASIAN ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/AAA.2014.0002","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 2
Abstract
The compilation of Kŭnyŏk sŏhwa sa 槿域書畵史 (History of Korean painting and calligraphy) by O Sech’ang 吳世昌 (1864–1953) in 1917 represents the first tangible achievement of a growing ‘‘national’’ and ‘‘independent’’ self-consciousness regarding Korean art history. When, in 1928, the manuscript was typeset and republished by the Kyemyŏng kurakpu 啓明俱樂部 (Enlightenment Club) and widely distributed by Ch’oe Namsŏn 崔南善 (1890–1957) under the new title Kŭnyŏk sŏhwa ching 槿域書畵徵 (Biographical records of Korean painters and calligraphers), it became the foundation for all future Korean art historical scholarship. This article aims to illuminate the art historical significance of this event through an investigation of the motivation for compiling Kŭnyŏk sŏhwa sa and for publishing Kŭnyŏk sŏhwa ching.
期刊介绍：
Since its establishment in 1945, Archives of Asian Art has been devoted to publishing new scholarship on the art and architecture of South, Southeast, Central, and East Asia. Articles discuss premodern and contemporary visual arts, archaeology, architecture, and the history of collecting. To maintain a balanced representation of regions and types of art and to present a variety of scholarly perspectives, the editors encourage submissions in all areas of study related to Asian art and architecture. Every issue is fully illustrated (with color plates in the online version), and each fall issue includes an illustrated compendium of recent acquisitions of Asian art by leading museums and collections. Archives of Asian Art is a publication of Asia Society.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
