{"title":"Home: the celebratory opening of the Kelpies at Helix Park, Falkirk","authors":"C. Warden","doi":"10.14439/SJOP.2014.0102.02","DOIUrl":null,"url":null,"abstract":"At the heart of Falkirk’s new Helix park, a reinvented green space to the west of Grangemouth oil refinery, stand two thirty-metre high statues. They are horses’ (Kelpies’) heads, the first bowed in a submissive, calm gesture, the second with muzzle pointed to the sky. Sculptor Andy Scott created these majestic pieces of public art as a tribute to the working horses of Scotland’s industrial heritage. They opened in April 2014 with a spectacular event orchestrated by Uz Arts who commissioned pyrotechnic and lighting specialists Groupe F. The performance breathed a sense of dynamism into the sculptures leading to a series of questions about the complexion of the palimpsestic Scottish landscape, the intertwining of urban industrial and wild, untamed nature, and the relationship between Scotland’s past and future, a vital enquiry in this year of referendum. This review aims to address these questions.","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"1 1","pages":"9-16"},"PeriodicalIF":0.0000,"publicationDate":"2014-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Scottish Journal of Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14439/SJOP.2014.0102.02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
At the heart of Falkirk’s new Helix park, a reinvented green space to the west of Grangemouth oil refinery, stand two thirty-metre high statues. They are horses’ (Kelpies’) heads, the first bowed in a submissive, calm gesture, the second with muzzle pointed to the sky. Sculptor Andy Scott created these majestic pieces of public art as a tribute to the working horses of Scotland’s industrial heritage. They opened in April 2014 with a spectacular event orchestrated by Uz Arts who commissioned pyrotechnic and lighting specialists Groupe F. The performance breathed a sense of dynamism into the sculptures leading to a series of questions about the complexion of the palimpsestic Scottish landscape, the intertwining of urban industrial and wild, untamed nature, and the relationship between Scotland’s past and future, a vital enquiry in this year of referendum. This review aims to address these questions.