{"title":"Audience Manipulation?: Subverting the Fourth Wall in Pina Bausch’s Kontakthof (1978) and Nelken (1982)","authors":"L. Weir","doi":"10.14439/SJOP.2014.0102.03","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"1 1","pages":"17-36"},"PeriodicalIF":0.0000,"publicationDate":"2014-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Scottish Journal of Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14439/SJOP.2014.0102.03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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